https://www.youtube.com/watch?v=xI7gNQ8Jc14 Comment on the forum The Sony A7S series has always been considered the leader in low light at very high ISOs. But at just 12 megapixels, it’s a big sacrifice in resolution to get there especially in the 8K age. The main thing that strikes me about the current 24 megapixel full frame sensors is they are CLEAN. Certainly ISO 3200 on my Panasonic S5 looks very similarly clean…
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Comment on the forum Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V. Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance. Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW…
https://www.youtube.com/watch?v=3yrcJOr7lyg Comment on the forum Let’s have a look at thermal management on small mirrorless cameras. The solutions shown here prevent overheating on the Sigma Fp and Panasonic S1H during long recordings. The Sigma Fp shoots 4K RAW internally from a 6K sensor and the Panasonic S1H shoots 6K internally in 10bit 4:2:2 V-LOG. Canon can learn from the design of the Sigma Fp and Panasonic S1H when it comes…
https://www.youtube.com/watch?v=EteGNLBLStA Comment on the forum Above: Camera Conspiracies has a point! I’ve always been a big Panasonic shooter and no other company has done more to pioneer affordable 4K filmmaking. However I shouldn’t let my love of Panasonic’s cameras like the GH5 and S1H blind me to the failures. I’m afraid we need to talk about the G100.
Comment on the forum When I began shooting with my own Leica SL2 earlier this year, I found a lot to like about the high-spec mirrorless camera for filmmaking, and of course the SL2 is superb for photography. However, the battery power management has prevented shooting in 4K and 5K reliably, varying depending on the type of lenses used. After making Leica aware of this issue, Leica’s Head of Product…
Comment on the forum I was very excited for the Leica SL2 and bought mine in December 2019. I have been using it ever since and it is every bit as beautifully designed as the previous model, but this time with high-spec 4K video features, IBIS and an anamorphic 5.5K mode. As usual, I paid the full retail price out of my own pocket and didn’t take a camera on…
https://vimeo.com/373496662 Comment on the forum Panasonic’s 8K camera was last seen sporting their Super 35mm organic sensor technology, which remains under development. It can be revealed Panasonic also has a similar camera design with a larger full frame sensor (of the common CMOS type) which leads me to speculate who developed this sensor and what else we may be seeing it in.
https://www.youtube.com/watch?v=joPtOgG9SeY&feature=emb_title Comment on the forum Above you can see an advert for RAW on the S1H shot in my home town of Manchester. Coincidentally these streets were where I shot with the Panasonic GH1 for the first time. I have fond memories of 10 years ago in the months leading up to EOSHD’s first blog post, taking my GH1 out on the same streets as featured in the Atomos video.…