Of the Oscar nominated films this year I’ve rounded up the best picture and cinematography nominees and dived into the technical department.
For his upcoming snowy western Tarantino unearthed special cameras and 1.25x anamorphic lenses at Panavision which hadn’t seen the light of day since 1965.
The film was shot on 65mm film and will get a ‘Roadshow’ release on Christmas day in amazing 70mm.
Hollywood filmmakers have been lobbying for the survival of film for quite some years. Now the studios have bowed to pressure and signed new deals with Kodak for the continued supply of celluloid.
What’s the point?
A guest post by director Roberto Miller.
Andrew asked me to write a brief article for EOSHD about the experience of making my feature film, Mandorla, now in post, with a pair of GH2s and LOMO anamorphic lenses. I’m happy to do so because, truth is, it’s Andrew and the EOSHD community that inspired me to go the GH2-anamorphic route, which achieved a cinematic look and vibe that I never thought possible for a low-budget indie feature.
Warning – this video contains content some viewers may find disturbing. Not suitable for work.
One of the best looking trailers I’ve seen on Vimeo from anyone has been for a tense Spanish thriller called Musgo. It now appears the feature length film itself could as thrilling as many were expecting.
This looks like being a real breakout hit.