Of the Oscar nominated films this year I’ve rounded up the best picture and cinematography nominees and dived into the technical department.
Above: the Epic with anamorphic lens
In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart.
The third and final part of Zacuto’s debate provoking documentary on cinematography and cameras is out. Part 3 is to me kind of like Revenging the Revenge because it goes back to a non-creative scientific (empirical) test of the cameras.
They appear in order of cost from the $700 iPhone to the $70,000 Sony F65 and each are treated with the same lighting, similar settings and the same grading to match as closely as possible.
Francis Ford Coppola gives his answer in the new Zacuto Shootout, choosing in order of preference the Panasonic GH2 (lit by Colt Seaman), Alexa and Epic
The results are in from Zacuto’s Revenge Of The Great Camera Shootout 2012. The majority of those at the cinema screenings – including Francis Ford Coppola preferred Colt Seaman’s lighting and the capturing of it by the Panasonic GH2.
This choice was above the stiffest possible competition including the Sony F65, Red Epic, Canon C300 and Arri Alexa. There’s a comment from Part 2 which really stands out for me and it sums up the reason EOSHD and my passion to write my GH2 book and the blog exists –
“The thing I was most impressed with is that some guys or gals with something to prove did better at lighting than the established cinematographers with a good camera” – Bruce Lundeen (33 min 13 seconds)
This is how you make a great film, a great shot, a great scene – Passion, hunger, creativity and a $700 camera.
Above: one of my favourite scenes from the episode, click it to enlarge to 1080p, the colour on this shot is ‘early Technicolor’ and ‘Hitchcockian’. But I am not 100% sure which camera was used to shoot it (although I have a gut feeling!) – and that tells you a lot about how evenly matched cameras like the FS100 and GH2 are with much more expensive offerings (if viewed at 1080p)
If you haven’t already I advise you to watch the episode before reading this and draw your own conclusions first. If you have seen the full screening please do not reveal the results on the comments forum.
The Zacuto Shootout is like a torch light in the dark for many aspiring, young filmmakers and it is useful – not to mention fascinating and enjoyable – to see these incredible tools fight for the best image. Now the Revenge series has added people into the mix it is even more interesting and educational.
The future is here but it seems nobody checked to see if it looked any good.
Shot with a 3D Red EPIC rig at 48fps, Peter Jackson’s return to the world of JRR Tolkien has been ‘stripped of the magic of cinema’ according to many who saw the advance press screenings by Warner Brothers.
Right now, 35mm film stock producers Fujifilm are missing a huge opportunity to shape cinema’s future
Band of pirates though they are, RED are a profitable company and right now their only competition comes from some unlikely sources – Arri’s Alexa and Canon’s consumer DSLRs.