[vimeo]http://vimeo.com/60401188[/vimeo] “They each have their own unique character. Which image do you prefer?” Iscorama VS Iscomorphot 8 2x VS Iscomorphot 8 1.5x by QuickHitRecord. This is a new weekly series on EOSHD. The forum is really booming at the moment. A while ago on the site I decided to redirect the article comments system into the forum and that has seen a big increase in the number of people using it not…
Browsing: anamorphic
New in this update Robocop 2 Sony FS100 Isco 2x anamorphic with support system for 15mm rails Optex 1.33x anamorphic lens
http://vimeo.com/59539071 The Lens Whilst Canon L lenses are like a fleet of company Lexus cars. This isn’t really what I want in my films. I need something different. Something with character. For this reason I’ve long been using anamorphic lenses. I recently shot some test footage with the Iscorama 54 anamorphic. This is essentially an Iscorama 36 but instead of a 36mm rear element it is 54mm. Even though the…
[vimeo]http://vimeo.com/57016257[/vimeo] Check out more of Andrew Wonder’s work here Director, cinematographer and DSLR user Andrew Wonder talks to EOSHD about his latest anamorphic spot for G.E… The technology behind the shoot is rather interesting. Two Sony F3 cameras mounted on the front of the train, remotely controlled and recording to e-sata drives in the control carriage, kitted out with Joe Dunton / Panavision anamorphic lenses from London. Joe Dunton is…
[vimeo]http://vimeo.com/40844162[/vimeo] A guest post by director Roberto Miller. Andrew asked me to write a brief article for EOSHD about the experience of making my feature film, Mandorla, now in post, with a pair of GH2s and LOMO anamorphic lenses. I’m happy to do so because, truth is, it’s Andrew and the EOSHD community that inspired me to go the GH2-anamorphic route, which achieved a cinematic look and vibe that I never…
[vimeo]http://vimeo.com/55559016[/vimeo] If I were stuck on a desert island with only one lens, I’d choose the $20 Helios 44M-2 and anamorphic adapter. OK that is technically two lenses but I’d fire all my other lenses at a brick wall at 200mph if it meant keeping hold of the Isco CentaVision 2x anamorphic.
These look like they’re going to be a great rental option for creative filmmakers looking for that dreamy low light look. Hawk, famous for their anamorphic lenses have launched a new range of standard spherical cine glass. The aperture is F0.95 following in the footsteps of Voigtlander with their 25mm and 17.5mm for Micro Four Thirds. Unlike Voigtlander however, Hawk have gone all out and done a massive range of…
[vimeo]http://vimeo.com/54261970[/vimeo] Get Dreamleaver by Herdwhite on iTunes Embedded video not showing? Click here to view or download on Vimeo A big thanks to Ciecio7 for donating his superb OCT19 to E-Mount lens adapter for this shoot. This is available on eBay. We shot this with the young German movie actress Lili Zahavi (IMDB) and theatre actor Niklas Brubach. A big thanks to both of them for their performances. This is a music…