The 550D was released almost exactly 2 years ago and it was a great leveller of the playing field, since it brought similar video quality to the 7D down to a more reasonable price point.
Update: James has had a full day’s shooting now with the modified 5D Mark III. Check out the footage above.
Warning: please wait for this to all shake out. Don’t hastily modify your 5D Mark III without the necessary technical knowledge and research. Opening the camera voids the warranty and risks irreparable damage.
James Miller has decided to open up his brand new Canon 5D Mark III, tear it down and remove the blurring anti-aliasing filter from in front of the sensor. It does seem like a particularly strong optical low pass filter on this camera, which produces very soft results in video mode.
Freelance BBC shooter Johnnie Behiri has had his hands all over the new Nikon DSLRs recently and has been keeping me informed about their pros and cons. The big news here is just how good the Nikon D800’s video with cutting edge Sony sensor is relative to its big brother the D4.
Above: Joy Ride shot on the Nikon D800 streams in full 1080p so make sure to view full screen!
The long rumoured and leaked Nikon D800 was officially announced today. This is Nikon’s equivalent of Canon’s upcoming 5D Mark 3 and is a very attractive camera which brings almost all of the Nikon D4’s pro DSLR features down to $2999 (£2399 in the UK) but sacrifices cutting edge low light ability for crazy resolution.
The biggest issue with Canon DSLRs is the rainbows – I don’t so much mind the lack of resolving power relative the GH2, sometimes a softer image is more organic and cinematic. Certainly when you project the footage on a big screen and sit back, it looks detailed enough yet organic. Quite unlike on an LCD monitor. The worst thing you can have is an image that isn’t organic but over-sharpened with the bright high contrast jagged lines around every single detail – it’s extremely tiring on the eyes and very DV.