NAB and IBC have been and gone. No A7S III. In Sony’s most recent marketing presentations, they outline a three-pronged strategy for cameras – “Basic”, “Resolution” and “Speed”. This is a change from the previous strategy of “Basic”, “Resolution” and “Low Light + Video” and with the A7 III having such good low light and video capabilities, will Sony bother with an A7S III?
Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander
These magic settings are a MUST HAVE.
Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look at some of the reviews, tests and films shot this way.
Read moreUser reviews and test films for EOSHD Pro Color and Pro LOG
I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras.
In addition to the new Pro Color 3.0 with additional profiles, I am launching EOSHD Pro LOG as well. This takes all the advantages of Pro Color into an easy to grade C-LOG-like profile for your Sony camera. Pro LOG also comes with 25 EOSHD Film LUTs for an instant cinematic grade in post.
Read moreNew EOSHD Pro Color 3.0 and EOSHD Pro LOG comes to Sony cameras
I recently decided to find out which of the current 1080/120fps capable cameras does it the best.
Read moreSlow-mo shootout – which camera gives the most detail at 120fps?
