Anamorphic monitoring on the SmallHD DP6
Find the full details on the DP6 here We are filmmakers. So why are we all shooting in the TV widescreen standard 16:9 and not 2.35:1? There is no more natural and…
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Stories tagged “2.35:1”.
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Find the full details on the DP6 here We are filmmakers. So why are we all shooting in the TV widescreen standard 16:9 and not 2.35:1? There is no more natural and…
Above: Anamorphic frame of Apocalypse Now in 2.35:1 HD on Blu Ray Francis Ford Coppola's Apocalypse Now is to be released on Blu Ray in the original anamorphic format with which it…
Photokina in Cologne sits beside the river Rhine and close to one of the city's most striking features. Destroyed in the Second World War as Cologne was flattened by bombing raids, the…
Here at EOSHD I am a big fan of anamorphic footage, I believe true cinema aspect ratios are the future and that 16:9 is a half way house. Rob McLachlan agrees. As…