Comment on the forum What separates the colour science of photography companies like Canon, Nikon and Fuji from the approach taken by electronic engineering firms Sony, Samsung and Panasonic? EOSHD has a theory.
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[vimeo]http://vimeo.com/144495970[/vimeo] I have been shooting with the A7S II for 2 weeks now. Let’s really get under the skin of the camera and see if it is worth your $3000.
The Sony A7S II has arrived at EOSHD. Does it impress? Yes. Before my full review, I can give you an initial brain-dump of what I have noticed so far.
Canon today issued an unusual development announcement for two upcoming cameras. The first is a Cinema EOS C500 successor with 8K recording. The second is a 5DS style full frame DSLR featuring 120 megapixel resolution.
[vimeo]http://vimeo.com/136927545[/vimeo] By now you might be wondering which to pull the trigger on – the RX10 II or RX100 IV? The good news is I have now finally got round to finishing my review of the RX10 II and have also bought the RX100 IV to compare it with…
[vimeo]http://vimeo.com/135666316[/vimeo] EOSHD is now 5 years old and 5 years proudly advertising free. I want it to stay 100% impartial. I grew up with the BBC and they are the role model for me. No advertising on EOSHD. Nice rhyme to it doesn’t it?! In part 1 of the Sony A7R II…
Just over 2 years ago Canon reported the testing of a prototype low light camera which I covered on the blog. Now they have commercialised it for $30,000 and it shoots 4 million ISO. Missed however by almost everyone is the fact this camera has a locking EF mount. Isn’t this…
In this illuminating interview with Canon’s Masaya Maeda by Neil Matsumoto, stuff happens.