And so it begins [vimeo]9450989[/vimeo] Karen Abad (Website | Blog) is a talented filmmaker who has worked with Vimeo and lately Zacuto. Karen works with a huge variety of formats including 35mm and 16mm film, as well as DSLRs. Here Karen shares her thoughts on the creative process, cameras and…
Search Results: anamorphic (329)
[vimeo]10426072[/vimeo] A departure from DSLR footage this time – a great example of some RED footage. What exactly can a RED really do in good hands?
Very detailed information of the AF100’s full capabilities have been presented in public by Panasonic by Jan Crittenden Livingston. Panasonic’s AF100 is a brilliantly specced machine, which has lead some people to believe that such dedicated professional video cameras mean the end of DSLR filmmaking. Panasonic themselves have now said…
[vimeo]14642823[/vimeo] My name is Trey Vollmer and I’ve been pursuing filmmaking for three years now – I could not love it more! I also work as a full-time personal trainer here in Jacksonville, Florida. Believe it or not I have found that flexibility, strength and endurance play a key role…
EOSHD brings you an interview with the man behind the first broadcast quality 3D DSLR rig and you won’t need 3D glasses to read it… David Cole and his team at Beampath are currently building a DSLR 3D rig with dual Panasonic GH1s to compete with the best of them.…
Click here to play in HD (You will need to be logged into your Facebook account) Here is the original cut of my Philip Bloom meet up video, inspired by (but not seeking to profit from) Stanley Kubrick’s A Clockwork Orange.
[vimeo]14330130[/vimeo] Last weekend I met the man himself Philip Bloom with which it all began and whom was first to shoot really exciting footage with a DSLR and get the word out. Without his contribution to the DSLR video scene since, would EOSHD.com have existed or been the same? In…
[vimeo]13004933[/vimeo] Here is my footage shot with the Isco Centavision anamorphic lens (link for iPad) When I first used a 2.35:1 anamorphic conversion lens on the GH1 I thought 16:9 was dead. It looks more cinematic, without doubt. Anamorphic lenses are cinema on a stick.