Comment on the forum It’s not often we get a glimpse of what a major manufacturer is considering when designing a new cinema camera. Now a survey by JVC aimed at filmmakers and content creators gives us exactly that.
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Comment on the EOSHD Forum Rumours out of Apple WWDC 19 talk about both Canon and Nikon 8K cameras being used to shoot ProRes RAW 8K footage for Mac Pro demos. Footage from a documentary about Nikon ambassador Ami Vitale photographing Kenya was supposably shot in ProRes RAW 8K and…
https://www.youtube.com/watch?v=0Nv8ydJSm-s Comment on the EOSHD Forum I just bought a Panasonic S1. Is that bad timing?
Comment on the EOSHD Forum Hard to believe it, but EOSHD is nearly 10 years old! 2010 was a big year for digital cinema. The 5D Mark II was in full stride kickstarting DSLR filmmaking. Arri’s first proper digital film camera the Alexa was released and revolutionised filmmaking at the…
Comment on the forum This is sad news and maybe premature, but in my opinion all the new full frame systems all have strategic flaws.
Comment on the forum NAB 2019 begins this weekend and exhibits open to the public on Monday 8th. One of the big talking points this year I think will be DaVinci Resolve 16 and hopefully we will see a big swing away from Adobe Premiere for editing as a result.…
Comment on the forum The 4K full frame S1 is on my desk at EOSHD HQ and for the first time it’s the final released camera that is shipping to stores, with firmware version 1.0. I couldn’t offer any original files from my shoot in Barcelona as the firmware back…
Comment on the forum Sony is working on a new codec to replace XAVC, which is based on the older H.264 compression standard. The new codec is called XEVC according to leaks, based around H.265 (HEVC) Version 2. This supports Bayer RAW encoding, 8K and 12bit 4K at data rates…