Read my thoughts at DPReview in the Panasonic GH4 review (page 7), here As was the case with the GH3, the GH4’s video capabilities were enough to achieve a gold award at DPReview.
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[vimeo]https://vimeo.com/107489596[/vimeo] Filmmakers have been waiting a long time for a top-performing Nikon full frame FX DSLR for video. Is the D750 the one we’ve been waiting for?
At Photokina I talked to product specialists Jörg Ammon and John Morris, both of Canon Europe. We talked about what improvements the 7D Mark II brings for video as well as few other relevant topics for filmmakers.
[vimeo]https://vimeo.com/103305439[/vimeo] The D810 now shoots better quality 1080p out of the box than the 5D Mark III. It isn’t 4K or raw but it’s good. In fact Nikon are now providing better image quality than Canon across the range in video mode. Beginning with the D3300 and D5300 which provide…
Buy it now – $599 Ultra HD (3840 x 2160) has arrived on your desktop and it is cheap. This screen is like having a 28″ Retina display. For filmmakers and photographers has the time come to finally go 4K?
[vimeo]http://vimeo.com/106946973[/vimeo] At Photokina (Photokino for video users!) I briefly played with the Nikon D750. With the camera tethered to a sales rep stand and so much else for filmmakers at the show like the Sony A7S, Panasonic GH4, Samsung NX1, Blackmagic and Red, I didn’t really have much time for the Canon or Nikon…
[vimeo]http://vimeo.com/106772619[/vimeo] What informs the film look? Of all the technical aspects that do, I think it comes down to three key ingredients. 24p, a wide dynamic range and a 2x anamorphic lens. I and many other filmmakers chase that look. Well, I’ve just returned from Photokina in Cologne, Germany with a surprise. 2 years on from my first…
I’m heading to Photokina today (Monday) for the 2014 show, here are the new developments to expect on the cinema and video side of the show.