For the past 3 years I have been working full-time as a volunteer with a non-profit organization creating videos and motion graphics for them. For a majority of this time I have been living in Thailand on the field with them. This is small snapshot of some of the projects I have created with them.
Gear –Canon C200 [17-55mm f/2.8, Sigma 18-35mm f1/.8]
Panasonic GH5 [Sigma 30mm f/1.4, Panasonic 15mm f/1.7]
By Jesse Gomez
Selling my GH5S filming kit for £1,800.
Here's what you get:
• GH5S Body W/Body cap
• Olympus 12‑40mm 1:2.8 PRO W/Lens Cap + Hood
• GH5 Battery x2 W/Charger
• GH5 Battery DC Coupler
• GH5 Battery Grip
• SmallRig Half Cage & Handle
Would prefer collection (based in Harrow/London) but I'm fine with shipping this to any U.K address but the price will increase a small tad if shipping is required! Only accepting direct bank transfer. No Paypal. Everything is in great condition and I'm hoping this gear get's sent to a happy home!
I was recently a part of making a short movie, and the camera combination used, i thought might interest someone here. Also there might be someone thinking if the FS700 still works today, as i myself did. The film can be seen here (there are no subtitles, but the story is about a woman that gets stopped in the street by the police, because of the hoodie she is wearing. It's at satire on laws currently being implemented i Denmark)
For the dialogue parts, we were cutting between a Gh5 and a sony FS700. It worked out great I think, all though it was difficult to get the colors to match. We were also filming outside, so that did not help, with the ever changing sun clouds. For lenses, we used a Canon 24-70 2.8 (with focal reducer) on the GH5, and a Tamron 17-50 2.8 on the FS700.
Can you tell which is which?
I would not use this camera combo for anything that should be matched quickly, but if you have the time, the FS700 files in 10 bit prores slog and the GH5 10 bit vlog files, were super great to work with. The result is not perfect, but we like it. I love both cameras, and I am amazed how great the FS700 and the odyssey 7q are! We were afraid we would have to change batteries all the time, but big NP-F batteries lastede around 2 hours each (1 in the cam that lasted longer and 1 in the odyssey 7q). Mounted on a shoulder rig, the FS700 is also pretty comfortable, in comparison with for instance, an URSA Mini and weighs about the same, with the odyssey. The buttons are a pain to reach though.
For those interested, the dialogue was recorded with at Røde NTG1 shotgun mic to a Tascam 60d.
Here are some other shots from the film.
(if there is banding in the footage where you see it, it is jpeg/web compression, it is not in the final video file.)
Panasonic DC-GH5 SLR Magic Anamorphot-50 1.33x Anamorphic Adapter Zhiyun Crane v2
DJI Mavic Pro 2 D-LOG Cinematic Color Grade (4K). Grade based on my own LUT with some contrast and highlight mods. Overall, pretty impressed with the image quality. Holds up well to heavy color grading. Kudos to filmmaker @Emmanuel Pampuri for capturing these cinematic shots.