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Geoff_L

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  1. Like
    Geoff_L reacted to DBounce in Nikon Z6 Low Light   
    The Nikon Z6 is a great camera. But for me I find getting consistent results can be a challenge in low light. I tried out the 24-70mm f4 Z lens, but found to get correct exposure I was pushing the ISO higher than I wanted to. But when I slapped on the 35mm f1.8 Z lens, the same ISO values seem to be acceptably clean. I thought 4000 ISO would yield equivalent noise regardless of f-stop. At least I don't recall needing to use different max ISO for different lenses with any of my other cameras. The Z6 can give pleasing results, but the consistency is hard to nail down... there is more of a learning curve with the Nikon. I'm sure it's nothing that cannot be  mastered. But it's something to be aware of. The rear LCD does show the noise, which is helpful. I would love to see Nikon release a LUT for this camera. It would also be great if Adobe would add some support for the NEF files. As for the preamp noise... it's blown out of proportion. While not the cleanest, it is usable with a good mic. If you need super quality sound just record externally.
    The lens used in the video below is the 35mm f1.8 Z lens at f1.8.
     
  2. Haha
    Geoff_L got a reaction from Kisaha in Lenses   
    Guess what, after a long week-end of reflections, she has finally decided to go for the 300 PF (+ tc1.4), and get rid of her Tamron 150-600 ! The latter has become a real penalty as hiking is often involved when we operate. Now, if money was not an issue, the 500 PF would have been a target. We can find the 300 on the used market for around 1100€, which will be covered  by  selling both the Tamron and a Nikon D600 (already sold !). This little gem will better suit our needs !
     
    So, now, as we will share the tools, we have to choose one or two complementary lenses : Nikkor 200-500 f5.6, 70-200 f2.8 or even a third party 100-400. As for a 80-200 f2.8, I need to check if it is compatible with my FTZ adapter (edit while writing, as it appears to be : https://www.nikonusa.com/en/nikon-products/camera-lenses/dslr-lenses/index.page)
     
    Oh, that is good to hear ; I really want to add a 17-35 f2.8 and a 28-70 f2.8 to my kit, and the prices are really more interesting at mpb than here in France (c*ap, the 28-70 "Bourne" is not part of the official compatibility list...but it is an AFS and should work 100%).

    While the catapult launching is an appealing idea, I am not sure and, frankly, quite concerned about the potentially hazardous result ! I was born in Normandy, at the seaside, and, as far as I can remember, the dominant winds came from West, North-West. So, I fear my package from the UK could drift and finally land into Paris, right among the yellow riot ! I now live in the Alps, and it would be a long and perilous journey to reach my package during those dark days... Not counting the fact they block each roundabout, so it would really be looooong ? OK, I'm digressing....
     
  3. Like
    Geoff_L reacted to BTM_Pix in Lenses   
    There is no downside to the PF except for the price and if you want to use it on a non Nikon body.
    I would definitely urge you to try the original on the Z body though to make sure it feels OK in terms of balance. Bear in mind that my experience of it is using it was on big lumps like the D3s and D4 where the weight wasn't an issue. On a much lighter mirrorless it might be a different story especially as the adapter will be adding to the heaviness in the nose.
    With regard to using the PF for wildlife then the huge reduction in the weight in the camera pack vs the original will pay big dividends over the course of a day if you are trekking or whatever. 
    What I would say though is that if the 300mm might not have enough reach then whilst it works very well with a TC but you are then at f5.6 (plus more money for the TC) so I might suggest she looks at the 200-500mm f5.6. Its the same aperture with a bit more reach and a lot more flexibility albeit at the expense of a bit of weight. It is a fantastic performer though and would be another compromise option worth considering, especially as it is significantly cheaper.
    MPB are good guys and I've always had good service and prices. They are only in Brighton so with a following wind they should be able to deliver stuff over the channel to France with a decent catapult.
    Which will probably be the only way to get goods off the island post Brexit !
  4. Like
    Geoff_L reacted to homestar_kevin in Lenses   
    Yeah, if you're looking for long reach on Nikon, don't overlook the 200-500mm
     
    I really really want one. It's cheap and has awesome VR that works great with the Nikon Z's

    Also, if you're putting the zoom set together, you really need the 80-200mm 2.8 to complete the set. It's amazing glass for cheap these days
  5. Like
    Geoff_L reacted to BTM_Pix in My New Pocket4K Android App   
    Pleased to announce that my Pocket4K app for Android is now complete and is with beta testers so barring any calamties will be available from the Play store on the 21st of December.

    Here is a screen shot with a quick run through of the features from top to bottom :

    Across the top we have the controls for Aperture, ISO and shutter angle.
    Next up we have the colour temperature and tint controls, the preset white balance selectors, the Auto White Balance button and, of course, the Record button.
    Beneath that we have the 8 snapshot memories which you can use to store and instantly recall 8 different custom settings of ISO, Aperture, Shutter Angle and White Balance. To store the preset you long press on the memory slot that you want to use and to recall it just short press. Haptic feedback is given to indicate that the preset has been written and the currently loaded preset is denoted in orange (M1 in the shot above). Presets are stored in non volatile memory so are always available in any session.
    Next is the focus controller, which is operated using the slider and/or the fine tune buttons. A long press of the button moves instantly to closest focus and infinity respectively. The AF button in ths row activates the single shot auto focus.
    To accompany the focus controls, you then have 6 memory slots (A to F) to store focus points and you can switch instantly between them by simply pressing the required one. In addition, next to these are the controls for A-B-A focus transition and the speed control. Again, all focus points are stored in non volatile memory for use in any session.
    Finally we have the controls for applicable MFT power zoom lenses with the same interface as the focus controls (including long press for instant minimum/maximum zoom) and 4 non volatile memory positions for later recall.
    There is another function that it can do that I'll let you know about closer to release date and I will put up a little demo video of it in action late next week.
     
  6. Like
    Geoff_L reacted to DBounce in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Here’s a quick play with high ISO... both internal and external to a Ninja V. There are no official Luts from Nikon yet. No noise reduction applied. I had some trouble getting good manual focus in low light... but that’s on me. 
     
  7. Thanks
    Geoff_L got a reaction from hansel in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Yes, you're totally right. As I'm debating between the old 300 f4 and the 300 VR PF, I want to know what works (and don't) by combining ibis + ftz + vr lenses. I even got a tamron 150-600 to try out :D But, I do not have a lot of vr/G lenses anymore, so I'm gonna see what I can do (maybe borrow from friends).
  8. Like
    Geoff_L got a reaction from BTM_Pix in Lenses   
    Thank you, I always highly value your experience, and this one does not disappoint ! Don't tempt me on the 300 PF, I'm fighting this for weeks The 500 PF seems to be quite great too. Problem is they cost more than my car (at least for the 500 !). My girlfriend is a wildlife photographer, and she is tempted by the 300 PF as well ! I need to check how a VR lens works with the new FTZ and ibis on Z bodies. If it adds a substantial gain in stabilization, by combining the benefits of both, it will surely be very interesting.
    Yes, the 70-200 + TC is appealing, as I've used it in the past with great results. But I was thinking of covering this focal range with a 85mm and a 135mm, or maybe a 70-200 f4 (love this for landscape in the mountains : light and useful). So, many choices and parameters to weigh up ! The good thing is that I can find most of the lenses cheap on mpb (I think they can deliver to France). Thanks again, I'll let you know what I find.
  9. Thanks
    Geoff_L reacted to BTM_Pix in Lenses   
    Optically, it is at least as good as the PF.
    It is also not far off being a third of the price used against a new PF.
    Another plus is that it has a physical aperture control so is more flexible in terms of being used on a different camera type whereas with the PF using Nikon's new electronic control you are limited to only being able to control the aperture with a Nikon body.
    So it performs as well as the new one, is much cheaper and also more versatile.
    Against that, of course, is that it is twice the weight, about a third bigger and doesn't have VR.
    Until the Z series came along, it would be that final aspect that would be a deal breaker for a lot of people but IBIS should address that. I'm saying should as I've never tested that so I can't comment with any authority over it but anecdotaly it does seem to work well.
    Which leaves us with the size and weight issue.
    My use for the original version was for events where a long lens wouldn't be the primary lens I'd be shooting on but wanted the ability to have that extra reach if I needed without having to haul a 300mm f2.8 or 400mm f2.8 with me.
    So things such as press conferences or close action positional stuff like boxing or track cycling etc.
    It worked very well in that capacity and the weight and bulk saving was a godsend versus the f2.8
    But then the PF version appeared and moved all of that to another level, particularly with the addition of VR, so it was an instant buy for me!
    As I say, the Z series will take care of the VR part but the original lens is still quite a lump which may be a drawback or at least less desirable, for your intended use. It certainly was for mine.
    If you were looking for a compromise solution then for somewhere roughly in the middle price wise you could maybe look at a used 70-200mm f2.8 with a 1.4TC. 
    In terms of size, it isn't far off the same as the original 300mm f4 and it would give you near enough the same on the long end with the TC with the added versatility of being a zoom but also taking the TC off and getting the extra stop back.  
    The bottom line for me is that if the PF didn't exist then I would still happily be using the original and if I was buying from scratch then provided I didn't need the lens to be stabilised I wouldn't have a particular problem getting it again at that significant saving. For my needs though, the size and weight is a significant enough advantage that it is worth stretching for but your needs may be different.
    I would definitely recommend you going and trying one first with your own camera though to make sure it works as a combo for you. 
    But just make sure that you aren't tempted to try the PF version out while you are there
  10. Thanks
    Geoff_L got a reaction from hansel in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    A quick follow-up on my previous first impressions, + issues found on the web :
    - As mentioned everywhere, the AF starts to really struggles as the available light decreases. Absolutely not a deal-breaker for my type of stills shooting (maybe with wildlife though), but surely for sport shooters.
    - Ibis during video recording with the adapted 50 1.8G impresses me.
    - Ibis with the native 24-70 s is really good at the wide and normal focals, but clearly less effective near 70mm. I've tried to shoot handheld in DX mode, so at around 105mm ; it was cold, windy and, despite trying my best to stay steady and avoid shakiness, the result is just OK. At full screen on my monitor, you clearly see the micro-jitters. I've repeated the same test, but with my gorilla pod as a stabilizer, and it's working a lot better. I will try with a Tamron 150-600 and other lenses, to understand what work better, between ibis, lense VR etc. I also think that it's related to me and my previous video experience : shooting APSC fuji with the stabilized 50-140 f2.8 was really great (even more with the 50-230 OIS), while full-frame is a lot less forgiving with long focal lengths.
    - The 24-70 is a lot more silent than my 50 1.8G. I've read somewhere that they have design the new motorisation with this goal in mind
    - Did not try the audio pre-amps, but the first reviews show that they really suck. I will use my zoom H5 or the Ninja V.
    - Image quality straight out of the camera with the tweaked standard profile (noise reduc disabled, sharpness dialled down etc.) is lovely ; I've shoot a  cloudy sunset until dusk, so not an extreme dynamic range, and this profile was sufficient. Next time I will use the flat one.
    - I'm really happy to work again with Nikon's colours (and the Jpgs SOOC are great)
    - I want to buy some Samyang lenses (135 f2, 24 f1.4...), and it seems that there is an issue with the Nikon version : they include an electronic chip, and it appears to "bug" with FTZ. A guy successfully "masked" with tape the involved contact of a similar manual lens (Voigtlander if I remember), and it worked. I think I will try the VDSLR versions of those lenses, as it seems they are not equipped with electronic.
    Sorry, I'm limited in my tests latitude, but it's already night when I come back home... Can't wait for the week-end.
  11. Like
    Geoff_L reacted to DBounce in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    I'm one of those that does. But that said,  the 8 bit is not bad.  It's nice to have options, especially when you are traveling light. 
  12. Like
    Geoff_L reacted to IronFilm in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    I reckon the Nikon Z6 will still appeal to shooters who really really want to shoot FF 10bit 4K (which is the only way to do it! Short of stumping up the money for a Kinefinity MAVO LF, or even more for a C700 FF etc)
  13. Thanks
    Geoff_L got a reaction from IronFilm in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Yes, and I know some photographers that are asked by clients to dive into video, so the Z line might be attractive, instead of switching to Sony. It also could sparks an interest among a larger audience ; I'm reading more and more comments on forums (video oriented, or photo specialized with a dedicated video section), from video shooters that are really intrigued by 10bit/FF/ibis/robust construction.
    Personally, despite having no Nikkor lenses, I've chosen the z6 over the a7iii, primarily for build quality and handling. Better evf, lcd and touchscreen, great ibis, desirable Nikkor G line-up and lovely colors are a plus. I will also attach a lot of non AF lenses, as I would've done with Sony. Won't be a problem to share it later with a bmpcc4k or a gh5s. But, if it had not been for the Z line, I would not be back to Nikon today (or only for stills).
  14. Like
    Geoff_L got a reaction from Danyyyel in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Yes, and I know some photographers that are asked by clients to dive into video, so the Z line might be attractive, instead of switching to Sony. It also could sparks an interest among a larger audience ; I'm reading more and more comments on forums (video oriented, or photo specialized with a dedicated video section), from video shooters that are really intrigued by 10bit/FF/ibis/robust construction.
    Personally, despite having no Nikkor lenses, I've chosen the z6 over the a7iii, primarily for build quality and handling. Better evf, lcd and touchscreen, great ibis, desirable Nikkor G line-up and lovely colors are a plus. I will also attach a lot of non AF lenses, as I would've done with Sony. Won't be a problem to share it later with a bmpcc4k or a gh5s. But, if it had not been for the Z line, I would not be back to Nikon today (or only for stills).
  15. Thanks
    Geoff_L got a reaction from IronFilm in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  16. Like
    Geoff_L got a reaction from Castorp in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  17. Like
    Geoff_L got a reaction from hansel in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  18. Like
    Geoff_L got a reaction from Trek of Joy in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  19. Like
    Geoff_L got a reaction from DBounce in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  20. Like
    Geoff_L got a reaction from Aussie Ash in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  21. Like
    Geoff_L got a reaction from AlexTrinder96 in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  22. Like
    Geoff_L got a reaction from Simon Young in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

  23. Like
    Geoff_L got a reaction from gethin in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p   
    Hi all,
    Very long time lurker, first time poster.  I’ve got my z6 in hands since the beginning of the week, and thought I could share some first impressions. Bought it in kit with 24-70s + ftz + a free XQD card, and a 50 1.8G. There was a good sale in a big French store, and I managed to buy it with almost a 550€ saving (regular price was 3099€ ; xqd reg price = around 180€ ; sale was a lense + a mirrorless = non negligible discount % ; 50€ cashback for the 50 1.8G).
    Here are some first impressions, after a couple of short hands on tests:
            PROS:
    Handling is great, especially the grip. Its feels like a “mirrorless dslr”. It’s build like a tank, and I’ll certainly feel more confident with it in the field, compared to my former fujis Button layout is OK: I can operate with only the right hand (“i” button, menu, iso etc.) The viewfinder is gorgeous, big and bright. Same for the rear lcd screen Touchscreen function seems well implemented, but I need to use it more The AF seems OK for my use, which implies landscape/nature and documentary photography. Manual focusing is really great, both in photo and video Video AF is great with the native 24-70s, but I did not explore it much, so I can’t tell more. It seems less effective with the 50 1.8G adapted with FTZ The dedicated video and photo modes that keep the settings in memory is just perfect ! The 24-70s kit lens is really a bargain! Very sharp, small form factor, convenient etc. For longer lenses, I believe the 300PF, the new 500 and zooms like the sigma 100-400 will pair wonderfully with Z serie cameras. Image quality in video surprised me in a good way. I quickly tweaked the picture profiles, and it appeared to be wonderful, even at high iso. I’m used to fuji gorgeous output right out of the camera, in video mode, but I think this one will be a step above. Really. The IBIS is quite effective, in fact more than I hoped for. With the 50 1.8G adapted, which is supposed to lead to only 3 axis, I manage to obtain a really steady image. Impressive in fact. I watched videos on youtube, with awful funky stuffs, like wobbles, kind of warp effects etc. and people in the comments moaning about how bad the ibis is compared to the sony a7iii. I've tried to replicate this... with success :  with the Electronic VR turned on ! With IBIS alone, it's perfect. And I don't know why, but in those videos I saw, they said the Electronic VR was turned off. I don't think so...         CONS:
    The FTZ design is… questionable! The bottom with the tripod screw attachment is longer than the camera body. Thus, making the use of arca swiss plate on the camera with the FTZ attached complicated. A turn around seems to use a Peak Design “micro” plate, which appears to be just well sized. Anyway, I’ll attach my arca plate to the FTZ, and won’t bother much. In video mode, you can’t have both the histogram and the horizon level at the same time. I have to press the “disp” button to bring on the histogram, set my exposure, and press again until the level appears. I hope for a firmware update politic à la fuji ; a dpreview forum member explained that he talked with a Nikon Z development team member, during and event, and they are aware of the fuji successful firmware politic, and will try to offer the same. Fingers crossed! Another firmware-able fix problem (i hope): zebras only work in autofocus mode. If I switch the lens on manual focus, zebras disappear… I need to read the manual more, to check if it is setting relative or not. A lot of people are complaining about hot or white pixels on the sensor on brand new Z cameras. I got that too. An easy fix is to launch the sensor cleaning via the menu, two times in a row. It seems to trigger the pixels mapping stuff. Worked for me! Others are complaining (see the photographylife’s review of the Z7 and dpreview forum) about the coating of the grip peeling where the fingers are, close to the 2 function buttons. From what I understand, it affects people with large hands and long nails. Personally, my fingers don’t even reach this area… so, I hope it’ll be OK ! Video AF with the 50 1.8G attached, as I said before, is not really good. But, it’s a right out of the box test that I did, so maybe if I dive into the menu and the manual, I’ll find a way to make it better. Anyway, as a result, the 50 1.8G is always trying to focus, and seems to fail a lot, which leads to a lot of loud “buzzing” noises. That’s all! Before I choose the Z6, I was shooting with only a fuji X-T2. And, before that, with an X-T1 + a GH4 (and before that… only photography with a Nikon D610). I’ve been shooting  with my backup LX100 since the beginning of 2018. Not enough time and a will to spend my energy to learn more about editing, grading etc. leads me to be cameraless for months. I ditched my X-T2 because I was unhappy with the photo output (as a landscape photographer), not very fond of fuji colors (except for video… don’t know why, but love the colours of the video output, but hate the photo files). More important, I ruined a lot of video shots, because of crappy bug at that time (wobbles and “warp” effects due to the image distortion correction etc.). So, as I started again to think of buying a camera, helped a lot with all of your great contributions here, my choices were: a7iii, gh5, bmpcc4k and Z6. Gh5 and bmpcc4k were ruled out as a first “hybrid” camera (maybe next year, as a second cam), as photo is equally important as video to me (for the moment!). Then I choose Z over a7, because I operate mostly in the mountains (I live in the French Alps and spend a lot of time in northern Scandinavia), with cold, snow, bad weather, and I knew, because of my previous Nikon cameras, that  Nikon do not disappoints on the “toughness” side.  I’ve read too much stories of dead Sony A7’s during trip with similar conditions as what I operate in (and, to be fair, I've read the same with big 5dmiii and Nikon d810). I know, weather sealing is not such a big deal, but, still… a wide bottom opens on the sony would really scare me! And I’m no Chris Burckard, I do not have 200 sony a7 waiting to replace the ones you ruin during an arctic trip!
    So, here I am with this little Z. Next step is to buy and Atomos ninka V, and some lenses. I’ll read posts from @Geoff CB and @IronFilm, I think I’ll find some great Nikkor lenses ideas
    Sorry for this long and first post. Hope it’ll help some of you. I’ll be happy to answer questions or try things on the camera if you want. I’ll also share footages. But, for now, I’m taking the camera outside, because it’s sunny and the snow has arrived.
     

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