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Everything posted by Geoff_L

  1. If I'm not wrong, this is literally the first real world raw video (and graded) that we see. Maybe give a little time until experienced filmmakers try it when it will be widely available. I share the Castorp's view : Nikon is not widely represented in the video world, so you do not come across the same amount of great footages provided by videographers and filmmakers, as with Sony, Canon etc. Most videos I see are graded in a way that departs a lot from what you got straight out of the camera with the flat profile. Maybe people like Matti do apply their Canon or Sony sauce to the Nikon footage... None of the attributes you both see in the videos you came across are represented in the flat profile footages I've shot since November... And no need to argue "You must be the only one than can grade I guess.", cause I grade like sh*t and am still learning šŸ˜‚ Seriously, when I think of all the videos I watch from gh5, bmpcc4k, a7iii... I can see a lot of identic awful stuff that all try to mimic the same style, or use the same lut. I can not conclude that the characteristics of those cameras are responsible for these styles, because I have a lot of other great stuffs to compare with... It unfortunately is not the case with the z6. But I have personaly found some really good looking stuff that give me hope !
  2. I use with my Z6 an adapted 50mm 1.8G via FTZ, along with the new 24-70 f4, and I found the stabilization quite good with the 50, when compared with the 24-70. I have yet to further test it, but I think that 3 axis is better than 0. Also, given the rather new Nikon's propensity to give more features through firmware updates, we can hope for future enhancements. I'm also curious to see how it will work with the adapters from Kipon and Techart, as I have got an eye on Canon long lenses (like the 200f2.8 and 400 f5.6). What are those MF glasses you are thinking about ? Since the last time we talk in the lenses forum post, I have expanded my "interesting lenses to buy" list somewhere near the infinity šŸ˜„. I did not buy any lens given all the new opportunities appearing with the soon to be released adapters. So, why not add 1 or 2 more items on that list ahah !
  3. As I am learning Resolve, here is a still grab. It is just a test, nothing serious, after having tweaked the wheels to check how the flat profile responses. Shot with the 24-70s, handheld with the help of high winds šŸ˜„ Oh, btw, exiting news these days : a speedmaster 50 f0.95 for z mount is coming, as well as new samyang lenses and techart adapters (Sony to Z, and canon to Z) are soon to be announced.
  4. Aaaah sorry, I have read you comment too quickly ! I have yet to try the 24-70 with ibis in sport mode, but so far it is working better with the 50 1.8G. Good news, as I do not see any difference except from less wobbles and jitters.
  5. Yes, correct, no ibis on the xt2, but I relied on the 18-55 OIS to add a bit of stab. From what I remember, the distortion auto-correction was incriminated in a lot of forum speculations. But, as you wrote, it may be something running in the background. Concerning the z6, I have just read on dvxuser a guy who seems to get rid of the wobbling by setting IBIS to "sport". I'm gonna test this today with the 24-70. I'm testing right now with the 50 1.8g adapted via ftz, and it seems to be less jittery/jumpy, but I will confirm that later buy reviewing on my computer.
  6. @androidlad Do you have an idea why a potential issue would only appear at certain ISOs (I ask because of your technical knowledge I'm always amazed with ! )
  7. It must be my limited English skills, but why use "sterile digital look", thus giving a pejorative tint ?! I have always enjoyed your tests, but since you circled back to canon, I feel you are quite negative toward other stuff, including stuff you have tested and liked recently. If I recall, each of those cameras you have tested the last months (quite a lot !) , received a high "score" in your posts : gh5s, xt3, z6... Of course, you compare them to your C200, but every time, when the cameras were in your hands since several days, you were nothing but positively surprise by the quality. I might be wrong, but I wouldn't be surprise if in the next months, you try a panasonic S1, a future A7siii, a Xh2, and jump from one camera to another, the newest erasing the qualities you have found in the previous. I don't want to critic, or sound like and ass, but it's my feeling, reading you on a lot of posts. Concerning the cinematic aspect of the imagery, and the Canon special sauce attached to it, seriously, the only camera that match this so called magic, to me, is the 1DC (5d iii ML raw excluded !). But my tastes and my eyes must be crap ; I'm open to that conclusion ! The image out of a 1Dxii is seriously good, with a "je ne sais quoi" (yeah, the only words I can write without making a mistake šŸ˜„ ), that you may called organic, but not close to the 1DC. In fact, we can argue that Canon got a special mojo, given by the motion cadence or whatever technical stuff, but I've seen a massive amount of shitty video shot with Canon, 5div, 1dxii etc. I have also watch beautiful cinematic footages shot on a GH5, which seems, for some persons, to be the opposite of Canon in cinematic, organic etc. terms. I'm a newbie in video, but not in photo, and I can say that we ear the same from old photo snobs, that describe the Canon mojo as the pinnacle of image quality, thus throwing away everything else. Too bad, nowadays, the majority of photos and videos are ruined by presets sold buy the instagram influencers and luts by youtube stars, so, whatever magic those cameras got, it will be crushed šŸ˜„
  8. Did you try the flicker reduction option, just to compare ?
  9. Thanks for these wise words ! All I can say is that I'm really satisfied with my z6, as it is, although conscious and irritared by some quirks (like every camera eh ?). At first, I wanted to later buy a bmpcc4k, or even a 5d iii + ml for the raw capabilitie and more cinematic/narrative stuff. If adding a ninja v with the future firmware update will bring me close or not too far from to the 2 aforementioned cameras, in terms of imagery, I'll be more than happy. In that case, the ninja v would only be added for specific shots, more planned, with more stuff around, thus the "bulk" generated being completely invisible.
  10. Agree, exatly my thoughts. They give us that, while everybody express, one more time, its disappointment concerning canon newest release... Announcing a lot of lenses and disappointed cameras may appears relevant for some... But for me, the firmware updates announced by Nikon, the existing Nikkor lenses lineup, the coming adapted possibilites (the sony to Z, canon ef to z, leica etc.) plus the new S lenses are more than what I need, thus highly relevant !
  11. Ah, that's interesting thanks ! I was sure about the distortion correction, because it was supposed to be the case on the Fuji XT2, and the Z6 wobbles is extremely similar. But your tests point to the ibis, I guess. To be sure we talk about the same phenomena : by wobbles, we talk about a sort of distortion, like a shift in the corners, not just "shaking" ? On my Fuji, it sometimes appeared on the entire frame, while with the Z6, it seems to only concern the corners. So, again, fingers crossed for the FW update šŸ˜„
  12. So far, it has only annoyed me at wide angle (at 24mm with the new 24-70 f4), as I explained earlier. It is the same behavior as with my XT2 + 18-55 ois and 50-140, and seems to be linked to the distortion auto-correction. I've posted a link to the dvxuser forum where someone found the same conclusions. I easily get rid of it with DV Resolve, by using a minimal amount of stabilization (and a tiny crop most of the time). It really works well. With my adapted 50mm 1.8G, it does not appear, which points to a messy distortion auto-correction. At around 70mm, it is quite jittery, when I can't manage to remain steady (for example, when it was really cold with a lot of wind and snow). Again, 30s into Resolve and it rocks (at least, I'm satisfied with it). Otherwise, for static shots with steady hands, it is incredible. Quite similar, if not better, than what I managed to obtain with the Fuji 50-140. Yes, there are a lot of small annoyances, and photographylife has summarized them (I agree with almost the entire list !) but none of them have really prevented me from shooting accordingly to my will. I too hope for the firmware update to improve things. I will soon buy a telephoto for distant landscape and wildlife, so I'll let you know how the ibis work !
  13. Ah, must be quite convenient to see the things you do not understand as "troll" ! I have owned a GH4, Fujis XE2, XT1, XT2 XT3 (briefly), and various dslr from Nikon and Canon. I maintain my feeling concerning the XT3, especially compared to the rest. I'm OK if you see that as trolling, but it won't affect the reality that me and others have encountered. Plus, everybody agrees this little guy is a beast.... just some concerns about build quality, nothing else.
  14. The stills side also need to be taken in account for hybrid shooters. Already got a z6 and wanted to later add a Bmpcc4k, I'm gonna wait to see what is coming from Nikon as firmware additions !
  15. Yes, that's exactly what I thought when I wrote "I'm not saying it is deliberate, but more a kind of opportunity to make the camera live a long and evolving life !". My rather limited English bridle my capacity to express what I think šŸ˜„ I too need to update my software !!
  16. Maybe, after all, they've decided to fully copy fuji concerning firmware updates policy ! On XT2 and Xpro2, we've seen a lot of big improvements (4k addition on xpro2 if I recall, F-log + 120fps on Xt2...). So, you launch a product, not fully developed at its highest capacity, and you make it become better and better with updates (I'm not saying it is deliberate, but more a kind of opportunity to make the camera live a long and evolving life !). Given the atomos claims in the above videos, and the Nikon decision to play the updates game, a lot of good stuff could happen (at least, I hope for that šŸ˜„ )
  17. OK thanks for the answer ! Fingers crossed for the firmware update.
  18. Hey @DBounce, I've just came across a dpreview forum thread talking about your video, and someone suggests this : Any idea if it is relevant ?
  19. Ah, not cool... Is there a way to transcode ProRes Raw to a Resolve compatible codec without too much loss ? Just out of curiosity, I know it may be a hassle to dive into this process...
  20. Dave, maybe you can investigate about Nikon fresh news concerning firmware updates and Prores Raw video output with Atomos ninja v ?
  21. Oh wow, unbelievable ! I was so happy about the Z6, but still uncertain about a possible firmware to fix some meh stuffs.... but this... shocked ahah !
  22. I'm too still learning the AF on the Z6 ! In video mode, when I'm not manually focusing, I mostly rely on "all time af" (or something like that, I do not have the camera in hands right now), wide area, and I either move the camera so the focus is smoothly operated on the wide area I've selected, or move the af area with the joystick, to pull the focus smoothly wherever I want on the frame. I rarely use AFC or face detect. For stills, I'm transitioning to capture one pro, as I can't stand Lightroom anymore šŸ˜„ As for video profiles, I use the flat one, with the sharpening just lowered a tad, and i find it sufficient for my needs. I'm learning Resolve 15 and color grading, and the profile is surprisingly great, just like everybody talked about the flat profile back in the D750 days. If the footage is correctly exposed, you have a good latitude to work with. You can make the image sing with just some small adjustments. I may try 10 bit log in the future or, why not, by a bmpcc4k if I want to grade a lot. What lenses are you using with it ? Sorry, I've just read about your 24-70 kit !
  23. Thank you Simon, great points, and exactly my feelings. Before I buy the Z6, I've ordered an XT3, as I was using an XT2. I've opened the box, took the camera out of its cocoon and, before mounting a lens, inspected the sensor, as I read that some people found dusts stuck under the first layer (do not remember which filter it is), and had to send it back to Fuji for repair. And, I was lucky enough to find a big dust in the middle of the sensor ! So, I've grabbed my rocket blower, trying to remove the spot. As I was blowing, the part around the sensor (do not know of what it is made, but it looks like dark fiber "paper"/cardboard) was moving like hell. Oh, I couldn't believe it, was like a toy made of paper... I sent if back asap, and waited for the Z6 to be in stock and compare it to the A7iii. I've loved so much things in the XT2, but hated more. The Z6 fulfills those bad points (for my usage at least), despite, I know, having less sexy video appealing. I want a robust hybrid for photo + video, and the Z6 is a better choice for me. I agree with your and Andrews view, it feel more like a tool (exactly what the big dslr feel like, to me). Plus, I absolutely hate the plague of the instagramish style šŸ˜ Seriously, the image out of the XT3 is really beautiful, and I might reconsider it later, as I will buy a second camera, more video oriented, to complement the Z6. I will look at the bmpcc4k, bmpcc, gh5s and the XT3 (or XH2 if it come out one day). There are a lot of great options for us ; just need to find what suits you best.
  24. An update, after having played with footages in resolve. I've discovered an nanoying behavior with the 24-70 f4, the same I encountered with Fuji. At 24mm, there are some visible wobbles in the corners. I do not think it is an ibis related problem, but more an auto distortion control one. It was the same with Fuji. A guy too find this behavior on dvxuser http://www.dvxuser.com/V6/showthread.php?361639-Nikon-Z6-10bit-output/page2 The option is greyed out in the menu, with this lense. I hope they will offer the possibility to disable it. For the record, it seems that this behavior does not occur at longer focals with this lense. Which would be logical given the distortion presents at 24mm. It is not present on the footages I've shot with the adapted 50mm 1.8 G. I will do some tests to be 100% sure. Anyway, the good news is that, as I need to stabilize my footages in resolve due to very high winds while recording, the problem is solved even with a small amount of stabilization in resolve ! The footages are steady, and wobbles free, at a really small cost ! Ah, and the image is really gorgeous... the internal flat profile seems to hold well the grading. I continue to learn how to not trash a footage with an awful grading, and I'll share some stuff šŸ˜
  25. Just a quick update, as I've just come back from 3 days of winter camping in the mountains, and I want to share my short experience concerning battery life. So, during 3 days with just below 0Ā°C temperatures, I shot mainly short video sequences (around 30s) from dawn to dusk, milky way photography one night, some landscape photo in the morning and in the evening, and a lot of image reviewing. The camera stayed outside with the battery still inside it (I usually remove the battery from the camera in winter, and take it inside my sleeping bag, but not this time). Right now, I'm reviewing all the material, and the battery indicator displays 3 remaining bars out of 5. I'm quite satisfied... with my Fujis, I would have used 3 batteries ! As usual, there is quite a gap between internets myths and real life experience !
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