zerocool22

Yeah on all camera's actually, not something you can test while you are buying used camera's.

Yeah gonna watch it, I saw the trailer some time ago but it def had this indie low budget vibe going on which put me off, but if you think its good it might be worth checking it out.

Yeah prolly me too + need to sell my house, was just placing a number on there. But I am def doing something wrong if this guy can earn 700k doing commercials at age 38.

700k would take me 50 years to save up though.

I have not, will check them out. Well I was hooked on the trailer for the cinematography, so this might be the case here. By B-roll I mean the the shots where there are no actors involved, like following a part of a train, or a piece of car. There is a lot of voice over on this movie and it is always on those parts. Yeah I need to finish it, its good news that the first half is meant to be incoherent, maybe I will like it better by the end. (I think I was at the part where he was lost in the cave, with the ping pong battle, which was quite weird as well, and not sure why the film needed these scenes).

Started watching long days journey into night yesterday, did not finish yet. But I expected more though. I like the long one angle camera scenes, but there are far too many long B-roll shots with an voice over(which comes across a bit lazy) and I feel a lot of scenes could have been cut entirenly(or maybe im not far enough into the story to understand). But the film is not an easy sit through as I was confused a couple of times, but not the kind of confusion memento gives for example. But great cinematography and the cast is great also, this kind of filmmaking does require a cast that can hold its own, but I guess I am a bit lost at the storytelling itself. You could check "Too Old to Die Young" which has similar long shots, but was for me anyways an easy sit through. I also like what the safdie brothers are doing. (good time, uncut gems) They have this raw energy thing going for them.

I hope there will be some footage online soon. Surely some youtubers have some pre-release models right now.

The mount does come in play. If you are a hassleblad shooter, you have lots of hassleblad glass. So I dont see them switching anytime yet. + dont forget the Hassleblad nametag is kinda like ARRI or RED but then for photography(not much videographers are buying into medium format camera's atm, probably mostly due to cost(which includes lenses)).

Yeah more content is moving to video, and youtube is the main feed for most video. I have even talked to videograhpers that never heard of vimeo crying out loud(but vimeo is a more specialized crowd).

Well I think you can exclude the GH6, X-H2 and the XT4 as they are not full frame camera's. If im buying a hybrid camera, its a full frame, as 90% of my lenses are ff. I think very few people are changing lenses, unless they are just starting out. And for me the EF or RF mount is a huge plus. (but if I invested in Sony glass in the past it might be different, but I think the userbase lenses is still mainly hugely EF atm though)

I wonder how al these adapters affect the flange distance, as I see some brand adapters are thicker then others for the same mount. Leica-r to EF, contax zeiss to EF. And how to test and change this on slr camera's?

Nah even David Fincher added CA in post for mindhunters. You can see it also on "Ozark" and "Big little lies".

It was one with a manual Iris, so basicly you put your lens wide open (on another camera if its not a manual lens) and then you can close it down or back open with the kipon adapter.

I only owned one kipon product so far the EF - MFT adapter, but the aputure ring was so greasy, i was afraid it would stain my lenses. Could be a one off, but dont have good experience with kipon so far.

Looks like the colour science of the komodo and the helium is nothing alike. Its advertised as their small gymbal/glidecam/slider camera, but whats the point if the colour is so different. I could use whatever camera, no need to pay for RED prices in this case. (A blackmagic pocket will do)

I imagine 1/16th not being visible a lot. Even 1/8 isnt that noticeble and subtle (could be what you are after though)

Probably but what specs is the komodo missing that you want from a epic dragon?

If this happened at the releasedate I would have ordered a F6. But now I am glad I didnt, there is almost no good footage out yet. + the R5 or R6 might be crazy good. (as the 5D III ML RAW, is still one of my fav images, only DR and slowmotion options were limited)

Yeah exactly have tried a bunch of them some years back, some worked way better then others, but I prefer the black pro mist filters.

I guess aputure will cut the prices of the aputure 300d ii soon to compete a bit more. Def interested in this, 300D ii or even better the 600D(depends on the pricepoint, and the money I can still earn this year)

This is actually pretty cool, would love some decent glasses to use as a monitor. Allthough operating the camera is maybe a bit tricky. (and running into stuff)

dont forget Quasar science tubes.

Yeah I def hope it is better then the 1DX III for video. Hoping on more DR.

The laowa 12mm zero distortion is a good fit, as you dont want a lot of distortion on you real estate video's.

Not true, at least in my case. Unless it changed it the last year.