Aussie Ash

Canon FD was introduced in March 1971 so FD lenses from the 1960s would be collectors items !!!

Guys on the Pentax forums claim that Pentax used to use Samsung sensors https://www.pentaxforums.com/forums/137-photographic-industry-professionals/270634-pentax-samsung-collaboration-what-happened.html

Richard is updating his lenses from the "Apogee " series.(Dog Schidt Optiks) We're currently working on our new CLAVIUS lenses (available March 2018) which is a significant upgrade to our previous APOGEE series. An outline of the changes is as follows:- Extra rugged construction Internal focus Reduced breathing, no extension during focusing, improved dust sealing, smoother focus action Geared aperture ring Relocated focus ring for extra camera body clearance Larger witness marks for easier focus pulling Same vintage optics http://www.richardgaleoptics.uk/clavius-lenses/apogee-lens-set-28mm-38mm-58mm-88mm

Grant Petty talks about Prores raw at 6.4

"URSA super mini 4.6K" super 35 . A camera smaller , lighter and more affordable than their UM4.6k.

Many you"tubers" have this problem, ten minutes of "talking head"to say something that could have been summirized in 60 seconds.

Under 2 kgs is enough for me !! Even the camera Kubrick loved because it was so portable weighs around 7.7 kgs -17 pounds with 200 feet of film,an Arriflex 35 IIC.

I have just been watching "The making of Dunkirk" and here is a pic of the IMAX shoulder rig it only weighs 54 pounds- about 24 kgs. Has anyone seen the film in an IMAX theatre ?

Nikon must have something coming as the last new body was announced eight months ago -D850.There is also the story that their new mirrorless will be released in their 100 th year

Look at how robust ARRI workflow choices are : http://www.arri.com/camera/alexa/workflow/ As far as affordable 4k cameras under Aus $4,000 Canon and Sony are giving us the thinnest codecs they can get away with.

here is Andrew's look at the 24 pixies 80D and Digic 6 ,some of the pixies on the booze. The new bodies like SL2 and 77d use Digic 7

One guy wanted a discount on a new camera if they would disable the video features !

Fujifilm have been making broadcast and cine zooms for over fifty years with an associated customer base for these lenses ,they are not exactly "green" to this field.Perhaps some strange Japanese business practice that the broadcast lens department has little to do with developing video features with their camera designs. I agree that the progress they have made in video features for their cameras in the last two years is commendable . https://www.fujifilm.eu/eu/products/optical-devices/hdtv-lenses/history

It's easy to see how the footage can quickly clock up using multiple cameras to shot each scene,there are also some directors like Fincher and Kubrick that may do fifty or more takes per scene ! http://www.indiewire.com/2013/10/producer-says-david-fincher-is-averaging-50-takes-per-scene-shooting-gone-girl-248969/

Second hand Sony A5100

Here are the budgets,workflows etc https://blog.frame.io/2018/03/05/oscar-2018-workflows/ (This link has a couple of pop ups)

"Ladybird" We shot with the Alexa Mini with old Panavision lenses and, in testing different resolutions, we ended up shooting 2k — ARRI raw 3.6K was too vivid and too sharp. Alexa has native grain, sort of video noise, any sensor emits video noise.

Nearly all ARRI again ,two shot with 35mm film on Panavision cameras.Dunkirk is the only one with 4K or more acquisition. https://www.premiumbeat.com/blog/cameras-2018-oscar-nominated-films/

What is the real estate guys commission on selling a 2 million dollar home !!

Here is some of the gear Red screen productions have been using lately "Ruben Sarian" Ceo of Red screen productions Canon EOS C200,Sigma 18-35 f1.8 etc https://www.sharegrid.com/losangeles/people/ruben-redscreenproductions-com

here is quite a cool "behind the scenes" Red Screen productions put together.

Getty images are a pack of "A-holes" https://choice.community/t/getty-images-bullying/1799 https://torrentfreak.com/1bn-getty-images-public-domain-photograph-dispute-is-over-161125/

Here is another one off "Red Screen Productions" vimeo account Camera test testing out the Slog2 picture profile on the Sony A7RII and a couple new fresnel lights we got. Shot in 4K in all its glory.

https://fstoppers.com/critiques/m50-another-insipid-and-overpriced-camera-canon-225912

Women will buy it. It's small enough to fit in their handbag and very easy to use.