Aussie Ash

"Ladybird" We shot with the Alexa Mini with old Panavision lenses and, in testing different resolutions, we ended up shooting 2k — ARRI raw 3.6K was too vivid and too sharp. Alexa has native grain, sort of video noise, any sensor emits video noise.

Nearly all ARRI again ,two shot with 35mm film on Panavision cameras.Dunkirk is the only one with 4K or more acquisition. https://www.premiumbeat.com/blog/cameras-2018-oscar-nominated-films/

What is the real estate guys commission on selling a 2 million dollar home !!

Here is some of the gear Red screen productions have been using lately "Ruben Sarian" Ceo of Red screen productions Canon EOS C200,Sigma 18-35 f1.8 etc https://www.sharegrid.com/losangeles/people/ruben-redscreenproductions-com

here is quite a cool "behind the scenes" Red Screen productions put together.

Getty images are a pack of "A-holes" https://choice.community/t/getty-images-bullying/1799 https://torrentfreak.com/1bn-getty-images-public-domain-photograph-dispute-is-over-161125/

Here is another one off "Red Screen Productions" vimeo account Camera test testing out the Slog2 picture profile on the Sony A7RII and a couple new fresnel lights we got. Shot in 4K in all its glory.

https://fstoppers.com/critiques/m50-another-insipid-and-overpriced-camera-canon-225912

Women will buy it. It's small enough to fit in their handbag and very easy to use.

“Our core goal when developing new entry-level interchangeable lens cameras for our consumers is to meld high-quality features and usability together. In listening to our customers, we believe we have achieved this goal with both the EOS M50 and EOS Rebel T7, ” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.

A6500 video shooters seem to give the crapy monitor a miss and use a rubber eyecup

Perhaps you mean the new Tokina 20mm F2 FE AF ? The Tamron media guys are still at the strip club http://www.tokinalens.com/news/press/N0000080/

I understand the chassis is made from recycled baked bean cans.

Great video with high quality sound is a much more immersive experience than looking at a still.

From what Thom Hogan has heard from Japan: Two new Nikon DX mirrorless bodies shipping in May new 24 mp sensor roughly D3400/D5600 price points. So competing against Canon M5/6,Fuji X-A5,Fuji X-T20, Sony A6300.Hopefully some of the D850 video tech will be in them,the D3400/D5600 lines have had virtually no video improvements since the D5300 came out over four years ago-Pull your heads out of the sand Nikon !!!

Fujifilm have always put effort in to skin tones,you seem to be forgetting the Fujifilm S3Pro (2004) that was favoured by wedding photographers for nice skin tones.

NAB is only seven weeks away -- other options are in the pipeline--Nikon ,Black Magic,Sony A6500 update ??

pdf of the X-H1 manual is not yet available either

Here is a pdf on the next generation HDCAM SR used by James Cameron "Aliens of the Deep"(2005) and the next Star Wars " Revenge of the Sith"(2005). The SR gave a step forward with 10 bit 4:2:2. see page 26 http://www.visualsfrance.com/menus/download/Visual_Showreel_Sony F23.pdf

2002 one of the first films shot digitally Star Wars "Attack of the Clones" was recorded to 3:1:1 1440x1080 HDCAM.

Not many third party lenses for Fujifilm yet-the Canon/Nikon guys can go even cheaper and lighter Tamron or Sigma 17-50mm f2.8 US $290

Recording time with out battery grip---in 4k is 15 minutes at max 200 mbps.(X-T2 is 10 minutes at max 100 mbps) full hd is 20 minutes compared to X-T2 15 minutes

Special features of the FUJIFILM X-H1: Integrated Image Stabilization (IBIS) The internal image stabilization system (IBIS), which is being used in an X Series camera for the first time, features three axial acceleration sensors, three axial gyro sensors and a very powerful dual processor, which performs around 10,000 calculations per second based on the measured data. In combination with the effective compensation mechanism, a particularly precise image stabilization and thus an uncompromising image quality is achieved. 5-axis image stabilization is possible with all XF and XC lenses. It is also possible with lenses without their own optical image stabilization stabilization of up to 5.5 EV levels * 1 possible. With the XF lenses already available, stabilization of more than 5 EV levels is achieved with a few exceptions * 2. This performance is made possible by the use of state-of-the-art production technologies. Thus, the individual components of the image stabilization unit are positioned using a laser measurement, which achieves twice as high precision as with conventional production processes. The inspection and adjustment of each individual camera ensures that the sensor is aligned absolutely parallel to the image plane, as in the case of XSeries models without integrated image stabilization. For 4K film recordings with a battery grip, the maximum recording time is extended to around 30 minutes.- recording time without battery grip ???

An now for something different an oil painted feature film "Loving Vincent" "Lust for Life"(1956)with Kirk Douglas and Anthony Quinn is rather lame http://lovingvincent.com/

Here is another adapter made by "Steelsring" -(probably in the shed next to Fringer ! ) Jokes aside they have released four firmware updates for the EF/GFX adaptor http://www.steelsring.com/en/sales/