IronFilm

Of Sigma's zooms... that is only the 24-35, so yeah it covers full frame, but it is only one

Or the D500/D7500? (or surely the next update of the D5x00 series will get 4K?) Do you find it still tends to be sharper than a Canon Rebel though?

Lucky I don't live in Italy! ha (not that it even comes within even a million miles of being defamation anyway)

Thanks for the warning Anaconda_! (pity, as I kinda enjoyed Nightcrawler) Won't waste my time with this.

No waveforms. No SDI. Kinda lacking in the "pro features department" :-/ Very rough rule of thumb to consider: AC => use 7 inch (or bigger) Op => use 5 inch (or smaller) Edit: Hmmm... been looking into this out of curiosity, and the 5.7" HDMI monitor which is the Feelworld F570 is very tempting. Yes, it is very bare bones, and lacks features I wish it had, but at only US$190 with free shipping, it looks like quite the steal!

Wouldn't a XC10 with an EF mount (& thus S35 sensor) be simply a C100mk3?

GH5S = "S" for stills! ;-) That three way split is probably the only way we'll see NDs put into a GH series body?! :-/

If you're incapable of doing some very basic math on the fly, then you have bigger problems in your life than using MFT vs S35 Why is Luke handing the camera with his hands? ;-) Is this a hint it is going to be a light field camera? :-P

Netflix Original Series: "Shot in the Dark": https://www.netflix.com/au/title/80171561 Quote: "you never hope for someone to die but it makes for a better story"...

Oscar SoundTech Lavs is the usual low budget recommendation. It is a non-issue. And as you can see the reviewer in the end goes with Sony, as they're the way of the Future. (G3 really needs to be updated to a G4 I reckon)

By the time it has filled pre orders, and you can buy a "GH5S" off the shelf, then the GH5 original will pretty much have been around for an entire year. Which is on the short end of a product life cycle, but by no means totally unreasonable or unprecedented. It is not just Fuji who will release a $2K APS-C mirrorless camera, but sometime in the next year (or so) then we can expect Nikon will release an APS-C mirrorless camera in around that price point. Now it might be a flop like their N1 mirrorless system, but also it might be massively massively popular because well it is Nikon. Then you also have Canon, who might surprise us in waking from their slumber with a better EOS-M series camera. So Panasonic faces a few threats, most probably will not pan out and will disappoint, but only one of them needs to be a hit (such as a mirrorless D5x00 with the insides of a NX1) and then Panasonic could be in trouble. I have been thinking this myself for a long time, and I'm kinda hoping it is the Dec15 date which is wrong rather than the coming GH5S news which is wrong. Please drink too much

I'd rather have one Fujinon zoom than 4x Veydra Also Sigma's 18-35 & 50-100 don't cover full frame.

Do a google search ;-) You'll find some ways....

The AF100 was fairly "expensive", yet nothing at that price level has come out since. So there is plenty of possible price increases still possible for the MFT ecosystem! (plus the DJI MFT raw camera is much more expensive than the GH5)

Absolutely. (just look at the AF100, or any of the E mount series camcorders with NDs)

Just been watching the doco "Some Nudity Required", Jim Wynorski is featured in that too. Wow. As stupid as it would be for me to get another, it tempts me to get both! Have 3x F3! :-P

For that price just get a Sony PMW-F3 or FS700 instead!

Sadly they're rarer than hens teeth on the secondhand market :-( I really want one. I bought it with high hopes, but is junk. Lectrosonics SRb is also on my list to get! Was Rode wrong to make the NTG3? Nope. What the hell?? Nooooooooooo..... Not at all true! Battery changes is one of the many reasons why I love the Sonys over Sennheiser G3 I very much mind! If a person uses them on film sets where the TX is expected to be hidden then avoid RodeLinks.

Thanks, but I don't think I have ever said I shot a feature film with the Sony PMW-F3?!?! There was one I was going to shoot with it, but then I ended up shooting with the Sony PMW-F5 in 4K raw. However we only did a few days of shooting, now waiting on further funding plus other factors.

Also, YouTubers are low information buyers, thus stick with Canons

Hey hey now, don't be so harsh Gregor, he was shooting with a Panasonic AG160 beforehand! haha

Saw your post on jwsoundgroup, and Mike gave a good tip: http://jwsoundgroup.net/index.php?/topic/30739-wireless-in-europe/&do=findComment&comment=341495

Blocks 24/25/26 are sweet for us and is what I've been buying. A reckon a handful of MHz either way is not going to make a lot of difference in the grand scheme of things.

My vlog got fancy, latest one was shot on a Panasonic EVA1: https://www.youtube.com/watch?v=DT7sUr0J5Tc (footage is in vlog.... for a vlog, ha! Yes, is an amusing pun I just realised this second)