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pureaxis

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    17
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About pureaxis

  • Rank
    Member

Profile Information

  • Gender
    Male
  • Location
    USA
  • My cameras and kit
    A6500, RX10
  1. https://www.ebay.com/itm/153202417964 Up for sale like new Neewer 25mm F0.95 Sony APS-C E-mount Lens. One of the fastest lens for the Sony APS-C system
  2. pureaxis

    Sony a7SIII - Full Frame 4K 60fps 10bit with Flip Out Screen

    that weibo handle borders on parody, i wouldn't trust any of it
  3. pureaxis

    Netflix minimum requirements camera

    Honestly, I don't mind 2:1 aspect ratio given how most smartphone are 18:9 now.
  4. pureaxis

    Fuji X-T3 has 4K60P and 10 bit

    apparently a high end Sony APSC is coming at photokina too likely using the same sensor that allows 4k60, guess it will be priced at a higher tier than the a6500
  5. pureaxis

    Searching Bolex Moller 16/32/1.5x Anamorphot

    there one listed on the facebook group
  6. pureaxis

    Canon EOS R full frame mirrorless talk hots up

    https://drive.google.com/file/d/1CAZOijAyrUJcOMWNHbjFpGq2CznrIAoN/view full specs sheet, no ibis, no 4k60, or high speed shooting
  7. pureaxis

    The Diopter Thread.

    Finally got myself a Pentax S82 Achromatic +1.22 Here is a a quick test I did with the SLR Magic Anamorphot
  8. You shouldn't shoot wide open especially at 0.95. The Anamorphot compact should only be used above f2.8. I have no issues with focusing mine.
  9. pureaxis

    Introducing the Canon 400000000D

    is that a bottle cap on top?
  10. pureaxis

    NX2 rumors

    While its not impossible, the rumor is unlikely because Samsung shutdown the Samsung Techwin factory in China that makes all the NX lenses and bodies.
  11. Selling my Olympus TCON-14B Teleconverter and WCON-08B Wide angle converters, these have 62mm threads and they fit perfectly on the Sony RX10/RX10 II cameras. There is slight black corners with the WCON but it does not impact video with IBIS turned on. The good news is that for those who are using the RX10 to shoot video the 16:9 crop and active stabilization solves the black corner issues, the RX10 in active stabilization mode is a 29-315mm lens, the 29mm wide end becomes a 23mm with the converter and it works great. Perfect setup if you want a bit on the wide end and more reach on the RX10 II. They are both in perfect condition comes with front and rear caps along with leather pouch case. Price for both together is $70 via paypal (add 3% paypal fees), shipping free in Continental US only.
  12. pureaxis

    Is Samsung shutting down their camera business?

    The Samsung NX500 is listed as discontinued on both B&H and Adorama. Looks like things are winding down for Samsung. NX1 still in stock tho.
  13. pureaxis

    Canon Taylor Swift fix Canon?

    uhh you know taylor swift is a spokesperson for sony right?
  14. pureaxis

    EOSHD weekend report: 4 long years

      Those are just normal consumer service centers for repairs, I was talking about dedicated cinema and broadcast professionals. I think those things you listed are easier said than done. Sony and Panasonic are at the forefront of software and video encoding, the reason Sony can push a otherwise crappy consumer grade codec to do 240fps on the FS700 is because Sony developed AVCHD, which Canon can't even pull off with its C100 (only 60i wtf?). Canon's weakness in this department can be seen by also the 1DC's inefficient mpeg 4k codec. If Canon is struggling in this department then Nikon have no chance, they will have to pay licensing and adapt proprietary formats.
  15. pureaxis

    EOSHD weekend report: 4 long years

    Nikon going into cinema will never happen, Canon, Sony, Panasonic, JVC all have professional broadcast divisions and can even be considered pioneers in digital video, Nikon don't have any of that. Having a cinema line is more than just releasing bodies and lenses, it require decades of experience in software, hardware, and logistical support. If you look at the financial results between Canon and Nikon, Canon absolutely dwarfs Nikon in terms of net income, Nikon does not have the expertise or resources to commit into a new line of cinema products, hence why they release products based on 4 year old tech. 
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