Emanuel

Yet another NX1 thread hijack. How many more new camera threads are going to get the same treatment?
SMH.
It uses the new LSI, which they claimed big improvements with the A99II. This should see improvement, but how much is anybody's guess at this point.

I WANT to have an APS-C camera like the A6500. But without comparing it to anything else... and without actual more hands-on experiences... you might as well lock up this thread, because there wouldn't be much to discuss except 'I feel cheated, I just bought the A6300!'?
I'm not a Panasonic/M43 fanboy. I'm a camera fanboy. I use whatever works best.
-- neways, I'll just add another video:
 

I'm not really sure where this shared LSI stuff comes from.  Even if it's true they are different sensors and totally different technology approaches. 
Olympus really are leaps ahead in the way they do IBIS.  There are fundamental differences even between the em5 and the em1 for example. 
Im fairly certain the HDMI output on the 1 will be 8 bit :-) (though I've been wrong before)
jb  
 

You're welcome and absolutely right!
https://vimeo.com/185182140#comment_14995977
 

Wow!!! super crazy story!!!

The images from this video are really good to my eyes: no moire, no bad artifacts... smooth movements... I like this little drone! 
Thank you for the advices!

Take a look on this cinematic outcome... To whom comes from film realm, such called 'softness' (when not missing focus) is a bless :-)
 
PS:
Thanks for the compliments on 'I Cento Passi' (dal cuore : ) Speaking of missing links... our memory is, though, full of team work worries, past today. Such as two weeks of shooting to be repeated only because of a DAT tape lost and recording sound irremediably missing, respectively; missing parts to still be credited; €300 to remain as credit card limit in the main method of payment for (shooting) expenses such as mere flight tickets (main cast); the female lead character to be completely erased from the script made with so much love fulfilled by many only a few months before in order to cut off the budget and tighten up efforts or there wouldn't be feature film to show up in the end + the whole participation of a co-production team and checks to sign at one time and follow accordingly, go figure... 
Finally, all this became multiple awarded in Venice since a decade and a half ago, oh well, crazy craft this industry is *Phew*

Mavic e' tutto un altro discorso, secondo me : ) GH4/G7 (GH5 arrivera') anche qui :-)

If you want to be legal 100% you have to take a course, pass an exam, get a license, pay an insurance, etc. DJI Phantoms are sold everywhere and nearly nobody do all those things to be legit. So the problem is if they catch you, I would prefer to be catched with a Mavic, than one of the others. Living in Italy forces you think how to force the law, amico!!!!! ;-DD
 

It is legit :-)
Here are other links with interesting and useful info on topic:
http://www.shainblumphoto.com/2016/09/30/dji-mavic-vs-phantom-4-dng/
http://visual-aerials.com/mavicpro.html

It is legit :-)
Here are other links with interesting and useful info on topic:
http://www.shainblumphoto.com/2016/09/30/dji-mavic-vs-phantom-4-dng/
http://visual-aerials.com/mavicpro.html

Borrowing a friend's! Haven't done a ton with it yet, just testing for an upcoming narrative. Loving what I'm seeing so far!

Mostly using Natural, as that's what worked best on my GH3, but I may give Standard a whirl. I'm finding I can pull a lot back from the highlights and shadows in Resolve; holds up like a champ in the grade. Highlights roll off nicely, and dropping the mids a bit gives you a beautiful tone curve with very little effort.

However, even at ISO 1600, there's a fair bit of fine grain (not ugly, but present), and any details below 30 IRE or so get fairly muddy. Definitely more of a S16 look. I dig it, but not an aesthetic that works for everything. I'd peg DR in good light at around 11 stops, but I'd need to test in more controlled circumstances to say for sure.

Using the right glass matters a lot. My Lumix glass feels VERY sterile and the colors aren't to my liking, but my SLR Magics, Leica Rs, and Minoltas bring out the best in that sensor. Haven't tried my Canon FDs yet; might throw them on there with the Speed Booster tomorrow. Ditto my Olympuses, though they render too clinically on Panasonic bodies in my experience. (Yes, I have waaaaaaay too much glass.)

Usability is great. The screen is sharp, battery life impressive, menus intuitive, grip comfortable, and overall just a pleasure to handle. I only wish the card slot were on the side, but something has to give at this price point.

Hoping to get out and shoot more tomorrow afternoon!

Seems legit: 
 

This time from my native country...
BTW, that Roman temple seen on DJI video presentation is also a Portuguese location [ LINK ]

Here you can find the original MP4 file so you can rule out the YouTube compressions..... https://www.dropbox.com/s/k62sd0cqrjauyfc/DJI_0028.MP4?dl=0
 

It's right on the borderline of being terrific. Another update in 6 months and it will be there. A drone that doesn't take the whole back seat. More than enough to tell some cool stories.

Too soft, here and there. Enough balance in some others. That's the business of the shooter. To balance the elements.
Mushy outcome both from low bitrate codec and youtube encoding don't help, not even to evaluate either, the miracles a good colorist can achieve from.

Thanks for your post. Interesting soft 4K, sharp enough for cinematic inserts to be used if justified. I am sure it'll happen to be in the middle of a few professional productions worldwide. My beef with GoPro is also the sharp edges.
 
 

It is generally more just hobbyists who have the time and interest to make video tests to share online with others like themselves.
Plus Kinefinity is focused on first meeting local demand, will take longer before many people in the western world get and use their newest cameras.
Yeah if you need a camera ASAP then get an URSA Mini 4.6K / Sony FS5, otherwise be patient and see what happens with the Kinefinity Terra 5K

Looks like many are setting focus onto themselves when it's close to the ground and not changing to infinity. 
 

Andrew, your forum software should let us for multiple 'push the like button'... ;-)
There is... Interested people in such drone ready to fly, send me a private message... I guess me and my team we'll be able to supply to you one of those birds very soon :-)

Nothing wrong with your 35 mm golden standard :). I agree with every sentence you wrote on your last post, there is indeed a thin line between tools and toys which can be surpassed with tricks. But this line gets thinner & thinner every year...I am seeing professionals that own very expensive aerial platforms, building their portfolio from staff that they have shot on their free time using these little guys...Yeah they are made for fun but this is what also feeds professionalism...pure fun...I used a Dji S900 with a GH4 last month. No fun...Acceptable dynamic range, great resolution, nice colors...but no fun...It's not funny (nor proffesional) when you use a 7000 usd machine that might perform an impressing flip of death on a poor man's head because dji messed up it's late update. Look at what Phillip Bloom made with a GoPro3+ and a poor Phantom (try to download the original file):
 

You bet! : ) In comparison with the excellence a standard like 35mm format (as well, sensor size related) with all the sorts of low-grade variants from 16mm to video has led the motion picture for more than a century to face our eyes. 
Take a second read in my stuff earlier along the thread (posts, likes...). They are all the same shit, more or less. As said before, they can be synonymous of fun, personal use, even some inserts (de)pending on certain circumstances and tricks. No more than that.
A purchase can't necessarily mean a professional tool, as for instance. As same as a toy can be used in a gig if works. Mission accomplished. What's wrong about it? Just don't expect you'll become a race pilot only because you're able to drive fast in the highway with your brand new car. The F1 from 80s, 90s or whatever year you want will always belong to a different league. No matter what techie pins they will try to sell the fanciest new toy you/we all want to buy and play with. So far, at least :-)

The most horrid camera in comparison with what? Dji Mavic?....or Canon 1dc? Lets say you had mavic on your mind...where did you see its grace? Those early videos have been processed and graded in post from pros to look as good as it gets...and they still seem jittery & soft....Not trying to bash you here, just trying to undestand your statement. I am not a fan of GoPro either but you are saying that you will purchase mavic because "No Protune saves the grace or its absence" on GoPro. Cmon... in terms of "real" quality they are both S**T next to a mirrorless camera but this is not what we are discussing here, we are trying to find their pros & cons for casual semi-pro use...right?

It also seems that the Mavic camera has some sort of autofocus based on the spec:
P4: FOV 94° 20 mm (35 mm format equivalent) f/2.8, focus at ∞
Mavic: FOV 78.8° 28 mm (35 mm format equivalent) f/2.2 Distortion < 1.5% Focus from 0.5 m to ∞
 
This can also cause some difference when comparing the two.
Before a real judgment I would wait from a more in depth review by somebody that knows how to compare cameras and understand all the variable in this process