Emanuel

Yes, Pocket 6K. These vintage manual Nikkor AI lenses: 20mm F2.8 24mm F2 28mm F2.8 35mm F1.4 50mm F1.2 85mm F1.4 135mm F2 In order to match Kenjo's vision for this movie. Soft dreamy look especially for certain scenes. Great director, by the way! He is much above the average to say the least. IMO one of the most promising directors I've worked with and even seen as movie lover today.

LOL It's just a scene but yeah, sounds inspired from but on that one, you need to ask it directly to Kenjo, my partner in crime, he is half Irish by father side, you know? I'd dare to say melancholy is not absent from there either... Even though, much something more added there as well, I believe and see : ) Thanks for your care ! :- ) Here's a new (official) trailer which I guess unveils a bit more of it:

Yeah, in fact : ) A Japanese feature film. There's a specific thread open now here:

It's a Premiere this time in the region (north of country) where I was born and raised... Y'all Invited! https://www.avanca.com/ https://filmfreeway.com/avancaff Shot on Blackmagic Pocket 6K camera series (G1). Proudly Co-Produced in Japan by this EOSHD fellow of yours, - EAG

They are incredible camera series... Here's one produced by me shot on P6K G1:

Did you buy a new camera, Danilo? What about your aSIII? Un caro saluto, - EAG

In 3 characters... WOW

Where have you extracted this from? :- )

Just bookmarked : ) Thanks to both @Attila Bakos and particularly to @Andrew Reid who doesn't mind and put the art in front, reason why made EOSHD the most important worldwide corner of web : P Happy past camper... BTW ;- ) - EAG

Yeah, his thousand panties collection... LOL But seems from his own experiences collection too ; ) I know next presidential elections is a tragic comedy of horrors between crap to double but let's have faith one day things will change, worst is not an easy achievement :- (

Sure, my friend : ) Well described BTW from someone who shows well to know both ; ) I am just much attached to that one also from my emotional involvement with the town... where I studied, have worked and lived. A year later we had the chance to receive Ted Schilowitz and organise the RED event in Casa del Cinema di Roma (in one of my fav locations on earth too: Villa Borghese) and where we succeeded to have full house (literally more than 5% of people who attended were brought by my hands).

Shot on RED by Franco Zeffirelli with Andrea Bocelli & Monica Bellucci [ IMDb LINK ]

Naples is nice but I'm going a little bit up there... Rome ;- )

PS: Márcio, for sure it is "me enrolar" and not "me embolar" but it is funny anyway how a language can be so enriched by many different speakers... Long life to Brazil! :- *

@Marcio Kabke Pinheiro Nada bate a MPB... chamem-lhe brega ou o que quiserem, venha quem for ao Planalto, os cães ladram e a caravana passa... Viva o Brasil! EAG :- ) Moça Me espere amanhã Levo meu coração Pronto pra te entregar Moça Moça eu te prometo Eu me viro do avesso Só pra te abraçar Moça Sei que já não és pura Teu passado é tão forte Pode até machucar Moça Dobre as mangas do tempo Jogue teu sentimento Todo em minhas mãos Eu quero me embolar nos teus cabelos Abraçar teu corpo inteiro Morrer de amor de amor me perder Eu quero, eu quero Eu quero me embolar nos teu cabelos Abraçar teu corpo inteiro Morrer de amor, de amor me perder

Much eclectic here, no room for taking sides other than serving (lovely) pictures as much as possible and wherever they coexist in this world :- )

Don't tell me so buddy... guess what? Nothing against on aged stuff, just my ASUS 7 Pro has joined my OnePlus 9 Pro (what do they have in common, humm? ; ) and more recently my couple of GoPro 10 Hero units so, go imagine what drone will match it... LOL ;- )

Speaking of resources, I love this one here:

*Pocket (Pochet might work very well as name for that camera series too BTW... LOL ; )

I am Co-Producer of two feature films I am trying to place them on the film festivals circuit in Europe right now. One of them (shot on Pochet 6K) was selected (for official competition) this week. I won't write here what cameras were used for the other one... but one thing I can assure you: there have been feature films shot on ARRI and RED cameras beaten by our precious Pocket series footage FYI :- )

Hey don't dare you man, you're truly missed! : ) Everyone here has thought the same as our good fellow wrote up there, they always intend to seem legit but they are just a pain in the ass : ( On the rest of the quote, you're in good shape as always ;- )

It's true Don, unfortunately, it is... : ) These YT butchers earn money in this way :- (

... It's a plague from these strange days. At least the model could be worthy, well, that is, if there would be signs of her there! LOL : D

They are much different worlds indeed hence where is coming my previous post on these boards with such '4K 120p drone galore'... LOL ;- )

Since I am not used to glorify anything I find online other than feel it as an extension of the outside world and to each its own -- glorious footage at big screen as for instance... Drones, cars, cameras, gadgets can all be stuff of same kind, as tools. Not the goal by itself. Worshipping is invariably a poor deal. Internet personalities included, whatever they offer, at least to my book. I much prefer to have in my mind the example of a former film school teacher of mine. His name is Paulo Rocha. But, in order to check the way out how vehicles are lensed and filmed by him in the end of Verdes Anos released six decades ago as a finest expressionism sample, you have anything other than as trying any other different excerpt. In this case, car headlights are replaced by windows or street building windows for our eyes in the scene, that is, not just ' fancy-good-looking-pixels ' with senseless meaning usually seen online whoever the shooter is -- because for reaching that and a better look on the right one I mention here, very likely only going after the next chance when and where the movie will be screened again, i.e. what I'd dare to call here, and everywhere else, as true cinema instead: