Jump to content

QuickHitRecord

Members
 View Profile  See their activity

  • Posts

    1,110

  • Joined

  • Last visited

 Content Type 

Everything posted by QuickHitRecord

  1. QuickHitRecord
    NAB is only a month out. I'd wait.
  2. QuickHitRecord
    I think that you have to use conversion software with "vertical stripe correction". Not all of them have it.
  3. QuickHitRecord
    Wow. A simple search in this very forum will give you all of the information that you need.
  4. QuickHitRecord
    Pretty neat. Reading the thread, it looks like there is a new version right around the corner. I've been using an older converter (with the recursive0.4.command file) to convert to DNGs. It applies "vertical stripe correction", which I assume removes some of the fixed noise pattern that can appear at higher ISOs. Do you know if this one does anything like that?
  5. QuickHitRecord
    Most forum users have probably already read Andrew's article on the effects of scaling 8-bit 4:2:0 4K footage down to 10-bit 4444 1080P footage: '?do=embed' frameborder='0' data-embedContent>> We in the anamorphic world are constantly rescaling our footage, though only on one axis. What I am curious to know is whether this can affect (positively or negatively) the color space and bit depth of the resulting footage. Also, can we better preserve footage by using wider pixels (as opposed to using square pixels + resizing)? This is new territory for me, and probably for a lot of others as well. Note: I posed the question in the thread above, but I think that this deserves its own thread.
  6. QuickHitRecord
    A great film. Agreed. The technology is there, and it's accessible. We have already have a slew of affordable ninety-percent imaging solutions out there but so many of us are focusing all of our attention on each new 0.25% improvement rather than putting in the time and effort to master the craft, assemble the crew, recruit the talent, and bridge the gap that imaging technology never will.
  7. QuickHitRecord
    I can see how that would be the case for a de-squeeze, but how about stretching the image (i.e. enlarging it horizontally)? In the past, anamorphic shooters have surmised that image quality doesn't really take a hit when doing this, but we weren't really looking at it through the lens of this new theory.
  8. QuickHitRecord
    Would the opposite be true (i.e. deterioration of bit depth and color space) when stretching anamorphic footage horizontally?
  9. QuickHitRecord
    That was really funny.
  10. QuickHitRecord
    ML gives you several aspect ratio options, and then resolution options therein. To use as much of the sensor as possible (at least vertically), you can choose up to 1600x1200 (though I have found that continuous recording is iffy at this resolution). The smaller the resolution, the greater the crop factor. Hope this helps.
  11. QuickHitRecord
    No one can say for sure yet. Downscaling to 1080P from 4K will definitely give you a sharper image, but not everyone wants a sharper image. Aesthetics are purely subjective. As always, it will all come down to personal preference. ML raw caused a flurry of excitement last year. Everyone HAD to have it. But the thing about shooting in raw is that it's not for everyone. It's not for casual shooters. The ML frenzy died down when most of those people realized that the workflow takes more time, and the novelty and excitement tapered off quickly. For those of us that stuck with it, the workflow has only gotten more stable and easier with new developments and conversion apps. You say that you have yet to "dive in" with ML raw on your 5D3. Why don't you go ahead try it out on a project? You'll answer a lot of your own questions. The GH4 isn't available for purchase yet anyway.
  12. QuickHitRecord
    What do you hope to accomplish by posting something like this? What is the best possible outcome for you?
  13. QuickHitRecord
    For documentaries, I'd probably go with the GH4: longer recording times, flip out LCD screen, easier to nail focus, better stability overall, and the GH cameras are just quicker to whip out at a moment's notice -- maybe something to do with the camera's size and weight.
  14. QuickHitRecord
    I'm talking about raw. Maybe I can't call it a codec. It's more like a lack of a codec. But you know what I mean.
  15. QuickHitRecord
    I haven't tried it, but probably not. But if your main use of 4K is to slightly re-frame your shot and deliver in 1080P, I think that it's fine for that. Also, using the 5D with anamorphic lenses can offer pretty high resolutions. Using the 1600x1200 crop mode with a 2x lens can give you a 3200x1200 image, in raw. I'm not saying that the 5Diii is going to be better for everyone. I think that the GH4 will probably be a really nice camera. But even before production models start rolling out, we already know that it can't match the 5D's 1080P codec. So, if you're mostly interested in really good-looking 1080P, I think that the 5D with Magic Lantern remains a strong contender.
  16. QuickHitRecord
    I also have a 5Diii running ML. I'm not going to buy the GH4 because I don't need 4K, and with my 5D I'm getting a full-frame sensor and a better codec without the added bulk and cost of an external recorder. Plus, I get NIGHTLY firmware updates from Magic Lantern. I just downloaded last night's and it's hard to believe all the bells and whistles that have been added in just the past week. In terms of shooting with raw, I use it for the option of matching white balance between shots and tweaking exposure. Then I export them out to 12-bit ProRes 4444 files, and edit and grade as usual. I don't bother with the KomputerBay cards. To me, the piece of mind that I get from the Lexar 1000x cards is worth the extra cost. If you are really keen on 4K, then maybe the GH4 is the camera for you. But otherwise, the 5Diii delivers some of the best 1080P I've seen, and you already own one!
  17. QuickHitRecord
    That XLR base looks super bulky. Stacked on top of rods or even a quick release plate, this thing is going to be pretty tall. Not sure that I'm a fan. I would have loved to have seen something that was flush with the camera body (even if it meant only one XLR input), or a detachable top handle like the C100's.
  18. QuickHitRecord
    The MLV_SND module allows for audio recording as of late December. It is not a part of the nightly builds yet but it can be added to your modules directory and used when recording MLVs. It isn't perfect (I think it's consistently a frame or two early, and it doesn't automatically synch up in Resolve like the BM cameras do), but at this rate it's only a matter of time before it gets there.
  19. QuickHitRecord
    I also faced the same decision last year. Sensor size aside, here's how I see it: the 5D has interchangeable batteries, cropped video modes (great for anamorphic shooting like you said that you are looking to do), no issues with moire, a built-in professional stills camera, a high stealth factor, and daily "firmware" updates. Plus I believe that its re-sale value will be higher than the BMCC's because it is and will continue to be a highly-sought stills camera. And Resolve Lite is free!
  20. QuickHitRecord
    I just watched one of my old DVDs this weekend. Not a Blu-Ray, just a plain standard definition DVD on a mid-2000s 720P TV. I got sucked into the movie. Never once noticed the lower resolution. Just saying.
  21. QuickHitRecord
    Looks great. Makes me miss my Lomo. From the picture, yours looks pristine.
  22. QuickHitRecord

    Aliasing

    QuickHitRecord replied to ImageThat's topic in Cameras

    I've been using Davinci Resolve 10 Lite and haven't seen any significant aliasing with my 5Dii ML raw footage.
  23. QuickHitRecord
    Every anamorphic lover's fantasy...
  24. QuickHitRecord
    http://www.amazon.com/RainbowImaging-Minolta-Adapter-Olympus-Panasonic/dp/B003GRHBEM
  25. QuickHitRecord
    A handy MLV How-To:
×
×
  • Create New...