Jump to content

Search the Community

Showing results for tags 'howell'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type



Find results in...

Find results that contain...


Date Created

  • started by

    end


Last Updated

  • started by

    end


Filter by number of...

Joined

  • started by

    end


Group


Website URL


Facebook


Twitter


WhatsApp


Instagram


Skype


Location


Interests


My cameras and kit

Found 3 results

  1. PREFACE: I have been doing some testing with this lens for a while now, but lately I have been swamped with work. Also, there has been some sadness surrounding the girl who appears in the demo video (and several other anamorphic tests of mine), so anamorphic shooting has been on the back burner for a while now. But I'm seeing now that someone else has had the same idea, and is trying to make an unrealistic profit from it. And so I feel that I must post this write up, because this isn't a $1400 lens. The search for the perfect anamorphic lens is over (at least for me). Some months ago, I saw a post here from a member named frerichs. He claimed to have purchased a Bell & Howell 2x 16mm Anamorphic Projection lens (not the excellent Kowa model) for cheap and discovered that it was single focus, like the coveted Iscorama. I was skeptical, but since they can often be had for between $75 and $150 on eBay, I bought one to try out for myself. At first glance this lens does not look like a winner. It has neither the steam punk appeal of the Lomo square fronts, nor the timeless curves of the Iscorama. The impossibly long and narrow build of the lens suggests that this would never be viable match for anything but the longest taking lenses. And yet it works. The front element is a -7 diopter that focuses the other two elements in the housing as the head is turned, similar to the Iscorama. Unlike the Iscorama, the lens takes about five full rotations to go from infinity to close focus, which is limiting for practical use. But I have been working with a CNC machinist to resolve this, and I now have a prototype that allows me to do a full range rack focus in a one and a half turns: (Want to do this yourself? Ask a machinist to design a new front housing with a "multi-start thread" that will house the front diopter and screw directly onto the existing thread on the tube; this could also conceivably be done for Iscoramas to the same effect). We have also added a standard 58mm threading for easier filter mounting, and I've since installed a custom seamless ultra-wide delrin focus gear to add just a little torque for even easier focusing (not pictured). The Bell & Howell projection lenses that originally shipped with this lens were f/1.2 and f/1.4, so it is designed to be sharp at faster apertures -- and I find that it is. Perhaps not razor sharp, but as sharp as I'd ever want an anamorphic lens to be. And once you've removed the two limiting screws from the "head" of the lens, you can focus as close as two feet without diopters. Too much closer than that and the head will screw right off, but it's just as easy to screw right back on. Flaring is nice: The lens is not without its drawbacks. For one, it focuses to about 40 feet, not true infinity. That's not an issue for me, but it might be for some shooters. It's all-metal construction makes it a bit heavy which combined with its length will benefit from a lens support (which eliminates the shake that appears in my rack focus test). It vignettes when paired with wider lenses, so it is a better fit for smaller sensor cameras or Canon DSLRs with Magic Lantern raw crop mode enabled. For instance, I can shoot 1600x1200 with a Pentax Takumar 105mm f2.8 lens on my 5D Mark III and I don't see any vignetting before f/8. I also tested it with a Nikkor 50mm f1.8 AI-S on my GH2, and it was vignette-free so long as I cropped my 2x image down to 1.5x. So how does the footage look? Here's something that I shot with it: I am excited to add a sharp, easily rack-focusable, short minimum-focusing anamorphic to my arsenal. It won't be the right lens for every anamorphic user, especially those who want to be able to shoot as wide as possible, but for the price, it could make single-focus anamorphics more accessible to those who have not had a chance to work with them yet. Happy shooting!
  2. Hi! I have this anamorphic lens but I can't really know what it is exactly. Who can tell? It's exactly similar to a Kowa/Sankor/Singer 16D (and the "72mm Front Filter Ring" works on it), but it's only written on "Japan 2X anamorphic lens for BELL & HOWELL". Is it better or cheaper than the others Kowa/Sankor/Singer? My other question is: would it need an achromat or is it good enough to work "nude"? (I would like to try an "okina achromatic close up +0.4" with this anamo and have maybe a sharper image.) Would it work inevitably better with an Okina, or not? Thanks a lot!
  3. Hello everybody, Redstan is out of stock right now and I don't know that they'll be restocking. I'd prefer one of the red clamps if possible. Also, I'm looking for a red front clamp and and a diopter to get a closer minimum focus. The closer and more clear the better. Thanks for helping if you can! Trey treyvollmer3@gmail.com
×
×
  • Create New...