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My cameras and kit

Found 6 results

  1. Now I know it's not a popular camera body for many valid reasons, and that it may be away from the budget of many casual film-makers, but I've been using the C100 a lot recently, and wondered if anyone had any tips to swap. I've also been programming some custom picture styles for this and C300 based on highly gradable modern film stocks. If anyone is interested in such a discussion let's get stuck in! Let me know how you use it and find it...
  2. Music (and poor vocals) will certainly not be to everybody's taste. And to be honest I did rush the mix and edit to make the deadline for a youtube competition... But other than that I hope you guys find it amusing nevertheless!
  3. Canon cameras sell very well because they make people look great by creating very pleasing skintones. Apparently for technical reasons (silicon sensors, etc.), Canon makes skintones look great at the expense of color accuracy. ARRI is the undisputed* King of Color Science and reading about how to make a C300 somewhat match an Alexa may be helpful in setting up new cameras such as the GH4 and A7S to produce more pleasing skintones (at the expense of color accuracy): http://provideocoalition.com/aadams/story/color-matching-a-canon-c300-to-an-arri-alexa Art noted that digital cameras do the b
  4. sanveer

    A7S the Killer

    I, like everyone else saw the Sony A7S videos, and was completely blown away. While it is superb strategy for Sony to COMPLETELY handicap the camera, despite its insane potential. I believe Sony will introduce this sensor in its 'F' range as well as 'FS' range of cameras, which will see its full potential. While the GH4 sensor is nowhere in the league of the A7S's, Panasonic has not purposely handicap its potential to 1/10th, to make way for its professional range, which is both respectable, as well as sensible. Right now, the A7S is something that could have killed the entire 'C' range of Can
  5. A trailer for an upcoming feature film I wrote and co-directed. We shot the movie on a C300 using the 16/32/1.5x Bolex Moller anamorphic adapter lens. Many thanks to the people on this forum for helping me figure out the logistics of this during pre-production! YouTube Link
  6. https://vimeo.com/58725919   Got our set of CP2 ... hope you like the video ....
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