ntblowz

No body knows at this stage, that could be a big bummer if it is still at cdaf 12MP means apsc shooting in HD only too, that is quite a big bummer as i sometimes use apsc crop mode too (on eos r just use 4k) for the reach If it have pdaf then it will have missing pixels, but because the resolution is too low (every pixel is needed), it will be harder to mask it unlike the higher pixel model sensor The Canon's dpaf will actually be the perfect solution for low res sensor, as all the dp is image pixel too. 12MP means apsc 4k will be upscaled

Sounds like the Blackmagic Pocket 4K/6K could accommodate it? Too bad BM waste all that camera space with such a wide body.

na to 15MP, too low res for hybrid and 2, no HDMI recorder support 4K120p.. so that part might be B$ I remember it need SDI for 4K120P as FS5 have done.

still no active cooling means overheating can still be possible. Guess only Panasonic can record unlimited 4K60P atm with an actual fan.

Haven't edit trip videos for few years as they been at hard drive all those years. The way too many clips i shoot somehow make me not want to edit them 🙁 As result i stopped shooting video when i m on trip in recent year. Wonder is there a way to overcome it?

detailed improvement list between R & R5/R6 Auto ISO in CLOG Vertical Video shooting -4EV in 4K on R5 vs -5EV in 4k on R6 for video AF Diffraction correction on video mode enabled P/TV/AV mode supported on CLOG (only on R5) Save 8K/4K video to a seperate FHD IPB lite video for mobile editing/viewing. Have electronic 1st curtain option quieter mechanical shutter https://downloads.canon.com/nw/camera/products/eos/product-1/pdfs/EOS-R5-improvements-part-1.pdf

From C5D So there is 4K HQ mode and normal 4K mode (pixel binning?) on the R5 R6 just oversampling from 5.1K so should be alright?

VND adapter is virtually glued to my EOR R, too bad the clear one cost the same as an actual mount adapter, that is really dumb

I got C200 & C100II for those long boring interviews, the R5 is for more exciting stuff!

The classic Canon colour is back with R5/R6 it seems

Internal 4k60p mate, but can also output 422 10bit externally.

More info on r5 The new battery can record 1hr 20min of 8K RAW Video 4K 30p is supersampled from 8.2K/7.7K (DCI/UHD) FF, that gonna be the sharpest 4K ever! 4k 60P is supersampled from 5.1K in DCI and 4.8k in UHD on APS-C Crop, guess in FF 4K60P it use pixel binning? 30min record limit. support power feed over USB-C for continuous operation R6: 4K60P supersampled 5.1K in FF. improved 1DX III sensor, AF performance same as R5 Both record 4:2:2 10bit internally So in 4K30P R5 will have way sharper image than R6, while in 4K60P FF mode R6 will have much better image quality.

Which one will be better in terms of image quality and/or latitude in post? Oversampled 5K in 4k IPB or pixel binned 4K All-I?

I been hit by artist.io on every freaking youtube video i seen in the past weeks, make me want to boycott them instead!

most likely 1:5 as they used on c200/1dx3 Sony will never have internal compressed RAW as they lost the case against RED ages ago.

The problem is there are more than just MPEG LA for HEVC.. a few other companies too.

Hopefully the license issue is not a cluster f**k like h.265

I use EF glass with the VND mount adapter, that is the way to go for video shooter, and much cheaper cost. For telephoto the nikon 1 with 70-300mm is gonna be way lighter, so as MFT with those 100-400mm lens, F11 lens is definitely make a lot of people get confused.

They also do support filmmakers too. My friend was able to trial the c200 for free back then to shoot on one of his job from Canon NZ. Though he dont do youtubes and just starting doing podcast this year, as not every filmmaker is comfortable in front of the camera. He was able to get hands on the R5, the only 2 in NZ! Unfortunately i cant get info from him due to NDA but seems someone else leaked some info anyway.

can't link it but its from the Panasonic S1 group lol

saw it from fb

I've gone through a few small P&S this recent year, from G1XIII to HX90V to G5X to RX100VI, and currently eyeing on a denim olympus e-pl9 cause I always want a blue camera! (Too bad Panasonic didnt release any colour variation after G2/GH1) Though most ppl tend to comment on the photos I took on my S10.

Touch bar will be R exclusive lol. Atm i use it for live volume control which is quite handy to change volume on the go as you record. R6 is using conventional mode dial like RP do.

PDAF need a lot of fine tuning I think, it all about the algorithm

m50 still the most viable choice, better af, eis much better than pana's implantation. though if it goes cheap enough in the future (as with most pana cam) i might get one, hey it got vlog!