ntblowz

guess the only way will be using something like Shure VP83F that have build in recording function or zoom h1 to record audio separately and match in post

So from that dslr video shooter video, the Slog look much more nicer than slog2 on modern Sony? WTF?

https://www.bhphotovideo.com/c/product/1434115-REG/canon_3444c001_drop_in_clear_filter_a.html Seriously just a cover will do, dont need clear filter in the rear.. wonder if 3rd party gonna make one?

From that video R5's full metal body give it slightly better cooling than R6 it seems.

Quite a few QA from this R5 tester in the comment https://www.youtube.com/watch?v=daRS7gTEWJI So it can shoot forever on 4K30P

I think more sharper than Canon 32MP's 4K?

From that Marcus guy So after he overheated in 8K he can still continue to record normal 4K for another hour in 32C temperature in summer Hong Kong. Guess normal 4K can record for quite long hours when paired with Atomos Ninja V? That mode doesn't heat up too much it seems.

Could fit if it use 1.5x like Nikon do, they got UHD in crop mode that is 1:1 on their 20MP FF camera

Some guy did 4K HQ vs 4K normal on R5

No body knows at this stage, that could be a big bummer if it is still at cdaf 12MP means apsc shooting in HD only too, that is quite a big bummer as i sometimes use apsc crop mode too (on eos r just use 4k) for the reach If it have pdaf then it will have missing pixels, but because the resolution is too low (every pixel is needed), it will be harder to mask it unlike the higher pixel model sensor The Canon's dpaf will actually be the perfect solution for low res sensor, as all the dp is image pixel too. 12MP means apsc 4k will be upscaled

Sounds like the Blackmagic Pocket 4K/6K could accommodate it? Too bad BM waste all that camera space with such a wide body.

na to 15MP, too low res for hybrid and 2, no HDMI recorder support 4K120p.. so that part might be B$ I remember it need SDI for 4K120P as FS5 have done.

still no active cooling means overheating can still be possible. Guess only Panasonic can record unlimited 4K60P atm with an actual fan.

Haven't edit trip videos for few years as they been at hard drive all those years. The way too many clips i shoot somehow make me not want to edit them 🙁 As result i stopped shooting video when i m on trip in recent year. Wonder is there a way to overcome it?

detailed improvement list between R & R5/R6 Auto ISO in CLOG Vertical Video shooting -4EV in 4K on R5 vs -5EV in 4k on R6 for video AF Diffraction correction on video mode enabled P/TV/AV mode supported on CLOG (only on R5) Save 8K/4K video to a seperate FHD IPB lite video for mobile editing/viewing. Have electronic 1st curtain option quieter mechanical shutter https://downloads.canon.com/nw/camera/products/eos/product-1/pdfs/EOS-R5-improvements-part-1.pdf

From C5D So there is 4K HQ mode and normal 4K mode (pixel binning?) on the R5 R6 just oversampling from 5.1K so should be alright?

VND adapter is virtually glued to my EOR R, too bad the clear one cost the same as an actual mount adapter, that is really dumb

I got C200 & C100II for those long boring interviews, the R5 is for more exciting stuff!

The classic Canon colour is back with R5/R6 it seems

Internal 4k60p mate, but can also output 422 10bit externally.

More info on r5 The new battery can record 1hr 20min of 8K RAW Video 4K 30p is supersampled from 8.2K/7.7K (DCI/UHD) FF, that gonna be the sharpest 4K ever! 4k 60P is supersampled from 5.1K in DCI and 4.8k in UHD on APS-C Crop, guess in FF 4K60P it use pixel binning? 30min record limit. support power feed over USB-C for continuous operation R6: 4K60P supersampled 5.1K in FF. improved 1DX III sensor, AF performance same as R5 Both record 4:2:2 10bit internally So in 4K30P R5 will have way sharper image than R6, while in 4K60P FF mode R6 will have much better image quality.

Which one will be better in terms of image quality and/or latitude in post? Oversampled 5K in 4k IPB or pixel binned 4K All-I?

I been hit by artist.io on every freaking youtube video i seen in the past weeks, make me want to boycott them instead!

most likely 1:5 as they used on c200/1dx3 Sony will never have internal compressed RAW as they lost the case against RED ages ago.

The problem is there are more than just MPEG LA for HEVC.. a few other companies too.