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Maybe the Arri/Panasonic relationship is more than just the LogC thing, maybe they're sharing costs/tech at OnSemi.

I think it's OnSemi. They are ARRI's partner on the new ALEXA sensor. TowerJazz had / have a joint venture with Panasonic, but OnSemi make the more up-to-date sensor tech and there are quite a few parallels between the ALEXA sensor readout tech and latest Panasonic cameras. In 2022 Panasonic exited the semiconductors business and sold all the assets. The organic sensor project is official dead, but it allowed them to partner with more than just Sony for sensors.

NX1 and GH6. They are full of compromises like the GH6 having unusable AFC below 48fps or the NX1 having even more smoothed out details in low light than the S5II but I'm still surprised how much I often prefer the footage I get from them at low ISO over my expensive Sony FE and Lumix S cameras.

I pulled the pin on a Zhiyun-Tech Crane 2S 3-Axis Handheld Gimbal Stabiliser - COMBO. its an older model by now and there is two newer models i think. The e-m1 iii comes in at 580 gr without lens. The sirui anamorphic is listed a 1 kilogram, both together, should be well within weight considerations. The sirui would probably be the heaviest lens i have. Even with an ef to mft adapter and vintage lenses, i think i'm fairly safe. I got the combo deal as i hope the added arm and rest makes a difference and it was only a $100 dearer although some stores it was $150-200 dearer. I have watched a lot of youtube reviews in an attempt to make an informed decision. I will say, i take a grain of salt with whatever is said on youtube. i'm cynical enough to think there is some bias towards the selling side of things especially with any youtube that has affiliate links involved. I have also noticed when ever a reviewer has two gimbals on display they seem to place them on the dodgiest of tables, as soon as the table is touched or a gimbal moved the whole tables moves. Not exactly confidence inspiring from a visual standpoint. I'm a bit surprised more hasn't been said in this forum about the various gimbals. Maybe that in itself could be taken as a sign... Anyway moving right along... I liked the fact the crane 2s takes the 18650 batteries. I'm not a fan of proprietary battery packs, they tend to cost you more, like anything that's "special". The later crane models seemed to have gone to battery packs and dji and the ronins are the same from what i have seen. The crane 2 motors seem quite large, nearly the same size or slightly smaller as the later crane models and some reviewers have made that comparison as well. Which i tend to think, bodes well for the crane 2s. Also the later crane models are heavier as well and while they will carry heavier loads, i'm not that interested in lugging a heavier load at this time. Some youtubers notice micro jitters with the crane, not all the time, just at some angles, not sure if thats an ongoing problem with balancing or the motors set to the wrong strength or hardware update perhaps, most ppl seem to get it sorted or they don't make too much of an issue about it during the video. i have watched enough vids that i think i'm happy enough with the output i'm likely to get and I'm kinda hoping that most of these reviews are 4 years old and the issues have been sorted. Which also means we about due a new range of gimbals... Probably. There does seem to be a lack of long term reviews and if you can find an answered question about what they still use, most of the time its they have moved on to something different. Actually i'm finding the whole youtube review thing a bit shallow, if i'm honest. You get 10 minutes of some guy yapping on, in front of a camera with basically a bunch of different pan and tilt product shots and maybe 90 seconds of actual gimbal footage. Some youtubes have a better balance. Well see what happens after it turns up.

Still have my LX100 OG, only will part ways when I get a MK II with a price that I don't have to sell a kidney. Panasonic is so dumb, just upgrade to the 25mp sensor (would be a 20mp camera), put a decent EVF (leica already done it in the D-Lux 8 ) and PDAF. Even IBIS could be forgotten (the lens have a ok-ish OIS). WOuld be a instant hit. Would say my Fujifilm S5Pro, but is a DSLR. Best skin colors ever. And my Olympus X-A1 (it don't have a mirror 🙂 ). Cute as hell, great image and one of the most thinking outside of the box cameras ever.

I'd be alright with a smartphone with an M43 sensor and the ability to swap out the integrated lens for M43. Then use like the Panasonic 14/2.5 or the Panasonic 20/1.7 with it - and maybe the Funinon 75mm for portraits. Those lenses are really small/tiny and would fit in any sort of pocket or daypack. But at the point where you're taking a tiny camera and adding a bigass DJI Focus Pro to it, complete with handle, lidar unit, and focus motor, you no longer have a tiny camera. Then add a DOF adapter? Is the goal to just make the weirdest-looking camera in the room?

Not cinematic enough. I fixed it for you. Now that's cinematic.

I don't know anything but in the last Media division S1 II review they showed a goggles linked to the camera used as a monitor or something like that.

Of course, Lumexa😎 S16 gate on the S1II would be around 2100 x 1250px, considering a 2.88 crop factor and a 1.66 aspect ratio. That's not too bad, better than the og pocket. Mft sized gate would sport around 3000px in width.

So I got a chance to play with this today for a couple hours. My friend Zack bought it and has been using it for the last two weeks. He really likes it and from my limited time with it I too quite liked it. In the time I had with it it didn't overheat and Zack says he hasn't experienced overheating either. Mind you it's spring here in Vermont and the temperature today was 62 degrees (Fahrenheit) so I wouldn't expect it to. But I know some folks experienced overheating indoors in similar temperatures so I can't really say that it's not an issue, just that we recorded for about 80 minutes on an SD card and had no issue in that environment. I only filmed in 4K, as I'm not that interested in higher resolutions, so I can't really speak about anything else. Doing my own rolling shutter test (basically simulating how I'd film one of my sporting events) I found it to be more than acceptable. If you're whipping the camera around like a maniac I'm sure it stinks, but if you put even a little bit of effort into being steady it's really not an issue. Things I didn't like: I think the image is slightly better than the S5ii, but they're very close. I wish we could get something closer to the first generation of S cameras. Battery life is meh. While it didn't die it was very close, I think. I don't mind the body, but it doesn't feel very premium. I