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Hey gang, been a while. At first glance this FX5 felt a bit underwhelming but looking closer its a pretty substantial update. On paper the frame rate/resolution bump over FX3 looks small, 4K to 5K isn't a leap that sells itself, and I get why some are skeptical. But I don't think the gains are actually small once you look past resolution. Also want to bring the A7R VI into the conversation, since it was announced just recently and shares the same sensor, and does some clever things of its own. It varies its subsampling by mode: 8K comes from an 8.2K region (1.22x crop), while 4K is read from the full sensor width but subsampled from a 5K portion, roughly 2:1 binning, and rolling shutter scales almost exactly with that ratio between modes. That's actually smart sensor use for a hybrid body, flexible readout depending on what you need, high-res stills and video modes both on tap from one chip without a fixed binning scheme. Arguably a more versatile use of this sensor than the FX5's fixed video-only binning, if you need both stills and video from a single body. But for video-only work, FX5 still pulls ahead in what actually matters day to day. The RAW is the real story, 16-bit X-OCN, same bit depth as Burano/Venice 2, and the C1/C2 compression tiers are genuinely efficient, undercutting even the FX3's own compressed 10-bit codec at 4K24p. Triple base ISO and the selective dual-gain shadow cleanup add up to real, usable gains, albeit slower readout speeds a la S5ii. Oh and open gate, Sony finally caught up. On price, worth noting Sony's being smart splitting the handle and EVF out separately rather than bundling, it softens the sticker shock even though fully kitted you're still at a whopping €6,800 here, FX6 money for a mirrorless body with no NDs, SDI etc. That's the one thing hard to swallow. Went Canon with the C50 myself a couple months back, still very happy with it, dual OS is best of both worlds and the various crop modes and digi zoom punch-in flexibility over the 7K spec I rarely touch. For about 3K with the awesome XLR top handle included, it fit my wallet and needs, no regrets. Bottom line: For Sony hybrid users that need stills over RAW, do take a look at the A7R VI, smart camera with impressive specs. For video only, no real flaws on the FX5 and some serious upgrades: RAW, open gate, triple ISO, dual gain, tilt EVF option..all genuinely exciting if you can swing the price. Personally I wish they would have left a stills option (even 16MP e-shutter mode) but I have no doubts the FX5 will become industry standard for years to come. But I also don't think FX3 is going obsolete anytime soon either.

Sony FX5 has the same or slightly modified sensor from Sony A7R VI. Interesting. FX5 would be a tempting proposition if you buy a new camera for commercial work from a local shop. Difference with FX3A is about 1000 $/E. As others already mentioned same FX3 sensor is available in the form of A7S III and Sony ZV-E1 for much less in the second hand market. Difference in picture quality between the FX3 sensor and FX5 one in real world shoots will be minimal. Not to mention that I can monitor and control current Sony cameras from a quality monitor like Portkey LH5P or a smartphone or use cheap external EVF and have all the tools for comfortable and quality work. Thanks but no thanks, not for me at this price.

I'm already shooting 2x anamorphic open-gate on my $30 Charmera keychain camera, so nothing new for me here. Nice to see that Sony has finally caught up though!

This could eventually become what you’re looking for, if users started leaving more reviews. Other than that, I think you’re kind of stuck sifting through “Don’t sleep on this camera!” and “This old digital camera shoots like film” hype videos on YouTube.

Great camera, $5k these days is a lot though. Like big picture it's not, but these days there's so many options out there in every price range new and used that it's hard to justify dropping that much money. Happy with my Lumix set up.

I'm sure it's a great camera, but what the REAL difference between it and the FX3 or A7S line, other than AF algos? Can anyone notice the 2.3% better highlight control at midday with no ND? Camera and videomakers have entered the "bore zone".

*Bump*

Not at all! Love my FX30, a bargain to say it simple ;- )

I'm thinking of getting one in part because of how the FX3 has held its value and how long this may be an 'industry standard' for, whereas other cameras from that era now sell for a third of the MSRP. There are some minor annoyances - like the inability to use the EVF and XLR handle simultaneously (c'mon), and like the 32 bit audio requiring the handle. But there are also some standout features... Shooting raw footage that is similarly sized to H.265 seems amazing. 5k is a sweet spot for resolution and the image quality of the FX3 never really impressed me. The form factor is a proven work horse and ergonomics are worth a premium. But compared to the competition, it looks a little less sweet. For slightly more money there's the Pyxis 12k... An S1ii is really similarly featured for way less money, though its unclear if Panasonic will ever produce a S1Hii that resolves some of the S1ii issues. The Nikon zR, file sizes aside, is a way more compelling camera for its price. What Sony has working for it is adoption by industry, many accessories, lens options. It's a tough call.

Balls. Sent the S1IIE back without even opening the box and picked up another S9 instead. My first 8 jobs of the year were 7 hybrid and 1 pure video. Of the next 7, I knew 1 was photo only but ‘assumed’ the other 6 were all hybrid. Nope, only 3/7 are hybrid and not worth spending that money for just 3 jobs when 2027 is a bit of an unknown… Unknown as in almost fully booked and every booked job is hybrid, but I am still hopeful for either a genuine S1H successor or an S9II. Or even some kind of Nikon/Sony mashup but that is as unlikely as my Hasselblad dreams… But then also still ‘waiting’ for Sigma to build a sibling to the 28-45mm f1.8 such as a 45-90mm f1.8 with internal non-extending zoom, but probably dreaming there also… And then there is my Leica fantasy, but let’s not go there either.

I dip in from time to time what is happening in e Mount land because I am envious of the lens line up. L Mount is decent, but it’s got holes for me that I want filling and I am always doing a slight workaround, but with e Mount, it’s easy. Easy albeit, at a higher price point. The FX5 from what I can see is an ‘FX3.2’ isn’t it? At twice the price you can score a brand new, UK stock, FX3a, the one with the better rear LCD. What has the FX5 got that would tempt me over that? Nothing that I can see and I could pick up an FX3a AND a pair of FX30’s for the same price as a single shiny new FX5. Not that it’s all about the money, but also is. I need 3 video units and a single photo (assuming zoom for the latter) so chuck an A7RV (that I used to own) into the pot regarding the latter. Also used. But that has nothing to do with the FX5. Not really sure if it’s a 5k camera…

I've been away from the camera world and stuff for quite some time, I have dabbled a bit with AI and making a good living out of it directing hybrid and 100% AI commercials but I want to own a small cinema camera again, for some projects I have in mind. This may be one of the strongest contenders and it comes right when I enter the market again to find which one I may be interested in.

This is a beast of a camera for sure, but man, almost $5K??? I mean, I get it, it's almost a cinema camera, but no internal ND, SDI etc.... I guess I'm just grateful you can pick up a used A7SIII for around 2K and get basically the same image at the end of the pipeline. Or even an old F5 at $1k for that matter... It's funny because I'm at the stage in my career where I can kind of choose to shoot with whatever cameras we want within reason. More often than not though, I end up going with older cameras because we get basically the same image at end of the pipeline, and they are like 10x cheaper. The budget saved can be invested into cooler on camera stuff. Spoiled for choice I guess

It's the best compact cine camera in the market, for NOW. But I'm not sure it can hold that position for long. Maybe they know this and keeping some features unavailable today to be unlocked at 2027. Firmware update these days are more a marketing policy (our product still competes) than an engineering challenge. I mean 4k240 is not some issue in the code you want to resolve. Its a switch.

nostalgic for the ergonomics of camcorders ;-)

Let the chat commence…

I like Ektar 100 simulation implemented.

Correcting a bit IT8 grid. Color checker video V2 target is expensive not sure if implement.

Hey ya'll! I was wondering if by any chance anyone knows a good site that reviews older DSLRs and MILCs? Yes, I know this is a bit of a strange petition, but nowadays reviews have gotten stale since every modern camera can perform 99% of what every other camera does. Specifically, I'm looking for a site that reviews older gear from 2026 perspective, a modern view of vintage gear, if you like.And no, parsing reviews from 2016 of Canon's 5D Mark IV is not very useful. I want the modern take, with today's technological ecosystem, of this older gear. IMO, the market for these slightly older cameras is ripe for the taking. Vintage sells and overall prices for these cameras is very respectable now that they have depreciated. Anyone?

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I used Ektar drumscan: To create simulation profile:

I watched the videos on the rawlite account on Vimeo. He shares videos that he didn't make himself. Either the camera or the objects are moving. In one of them, the chart is even hidden at one point, or he isn't comparing the same shirts. You can still see the problem, though. Even the seller can't share long well-made videos with clean results. Sadly, I'll probably have to switch cameras and upgrade to a higher-end model.

Almost no card ever reaches the quoted "up to" numbers that they give, especially not in a sustained transfer. A2 and V30 are generally the best specs that you'll find on a MicroSD. If the Mission 1 Pro writes faster, you might want to check on some forums to see which cards people have found work well with its highest-bitrate modes. Though that said, if you're talking 100-200mb/s (megabits/second), a V30 card should do that without breaking a sweat since the V30 refers to 30 megabytes/second which is 240 megabits/second.

I probably have the bull by the horns or my understanding is really really flawed. lol I have doubled the capacity of my memory cards 1x micro sd and 1 sd card. Apon opening the package the kingston card it looked like this Its obvious that its been opened previously, theres dust and grit inside the blister pack and the exterior shows signs of lots of rubbing. I have tried it in a couple of cameras and two card readers however it fails to show up on any device. A dud in other words, my other card i have is a kingston 256 gb from the same supplier. Which is a bit surprising as it runs fine and works at near the rated speeds, sometimes a little faster than the rated speeds. Not sure how this got past quality control but its going back tomorrow. The box it came in shows no damage, so i don't think i can blame the postal service. I got this card for the mission 1, while testing it, it doesn't operate at anywhere the rated speeds of 200mb. best i have seen 100 mb write speeds and 120 read speeds . I plan on doing some 4k recording, if it drops frames its going back as well. Both cards are from amazon as i thought there'd be less chance of buying a fake card and the fact i payed good money for both kinda ticks me off. Be interesting to see if this new card helps the shorten the buffering time after you stop recording on the mission1 although thats all dependent on how it handles 4k recording first.

Sony updates the model after so long, and its either still missing stuff, or the improvements aren't enough. They should have got a much better (LOFIC) sensor, internal storage of Atleast 100GB, dual card slot, way better autofocus, pre-burst perhaps since it can do wildlife etc. The major camera makers aren't really looking at the Smartphone and pocketable camera (DJI etc), to see what users are actually looking for.