Magic Lantern have uncovered a DNG output in live view on the 5D Mark II and 5D Mark III. At the moment it doesn’t record video but it is expected to be capable of 24fps. The Live View Raw Buffer on the 5D Mark II allows for a 2040 x 1428 DNG stream, and the team are researching the same feature on the 5D Mark III.
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The latest news on cameras, from EOSHD
Download here The long awaited, year in the making uncompressed HDMI feature has now been added to the 5D Mark III. The firmware has been leaked from a Canon service station and is now available to download before the official 30th April release date. I’ve installed it and I’m testing the HDMI image quality with my Blackmagic HyperDeck Shuttle now. Article will be updated with my findings shortly…
The Panasonic G6 has been announced and to be honest it is a bit of a surprise, culling very little in the way of features from the GH3 and quite possibly taking video to new levels on a mid-range camera. £549 body only / $750 and based around the GH2’s multi-aspect sensor (18MP total, 16MP effective), the sensor is larger than the one in the GH3 (1.86x crop vs 2x),…
Today sees the announcement of a new DSLR sensor from one of Nikon’s recent sensor supplier’s Aptina which has a headline spec of 4K video at up to 80fps. The highly rated company says it is ‘combining DSLR image quality and 4K digital cinema’ with the new AR1411HS sensor. Along with Nikon being on the record for wanting to add 4K video to future Nikon 1 mirrorless cameras, could the…
[vimeo]http://vimeo.com/63910035[/vimeo] First 1.50 minutes is sample footage, you can fast forward to 1.50 for the technical info Kickstart the HolyManta ND on FundedByMe This is something I’ve wanted for a long time! Focus and exposure are the most important things on a movie camera yet DSLRs don’t have a built in ND filter and you’re often left to shoot at ugly high shutter speeds such as 1/1000 in bright light to…
Super charged specs! 1-60fps 4K raw to DPX format 120fps 4K raw burst mode 240fps 2K raw continuous to Cinema DNG (would love to see the file sizes on that!!) Single 3G HD-SDI link You won’t need Sony’s own expensive raw recorder for the F5 to get 4K raw on the FS700. The camera firmware will step it up to being able to deliver 4k over a single 3G HD-SDI…
Though it cannot be 100% confirmed I am pretty sure the Blackmagic Production Camera uses a sensor supplied by CMOSIS, which if true would be very good news as it is the latest technology and already in mass production. Here are your sensor questions answered…
UPDATE: More details here Last year I found a sensor which seemed a perfect match for future 4K Blackmagic Cinema Cameras. I contacted the supplier CMOSIS who quoted me a rough price point which made 4K for $4K within reach. CMOSIS are a European company who are mass producing the full frame CMOS sensor in the new Leica M so they are an extremely reliable and high regarded supplier with…