[vimeo]http://vimeo.com/75260457[/vimeo] Here’s a new technique executed to perfection… Amazingly what you see isn’t CGI added to the scene in post but a live set of visuals. The technique uses robotics, motion control and projection, all filmed in-camera.
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The latest news on cameras, from EOSHD
TrueSense Imaging’s sensors are behind the Ikonoskop and Digital Bolex cameras. Traditionally known for their CCDs, the company is now stepping into CMOS for the first time.
[vimeo]http://vimeo.com/74624976[/vimeo] Above: Nino Leitner interviews Panasonic at IBC 2013 I have been given some exciting information about the future of the GH-line. But I can’t say anything about it yet. Stay tuned to 43rumors in 2-3 weeks time. Needless to say the consumer division of Panasonic are turning their attention to 4K in a big way.
[vimeo]http://vimeo.com/74286078[/vimeo] After a very limited initial release, the Blackmagic Pocket Cinema Camera is slated for an end of September ship date  in greater quantity. The good news is that the extra time has given Blackmagic some leeway to tweak the camera.
At the beginning of the IFA show in Berlin, Andrew from SLR Magic dropped by at my studio and dropped off the V2 and V3 anamorphic prototype lenses the company are working on. As long time EOSHD readers will know I am a passionate advocate and shooter of anamorphic. The SLR Magic anamorphic is the first new lens of it’s kind to be announced in many years.
Here’s the new iPhone 5S’s camera at a glance: 15% larger CMOS sensor 10fps burst mode at full resolution 720/120fps slow-mo video 28MP panorama Auto image stabilisation picks sharpest shot out of 5 New F2.2 lens with 5 elements TrueTone flash uses LED with variable kelvin temperature to match subject, gives better skin tones The iPhone 5S is a somewhat modest upgrade in terms of the overall phone hardware, but…
Olympus have announced a new flagship Micro Four Thirds camera, the OM-D E-M1 which goes head to head with the GH3 but without any of Panasonic’s focus on video. The camera offers only one frame rate at all resolutions – 30p.
Above: the Canon 5D Mark III with Magic Lantern raw video recording. Check out the EOSHD book here Due to demand Adobe are finally putting Cinema DNG support back into Premiere. What’s more it is a fully featured implementation with realtime playback like Resolve and GPU accelerated debayering. Adobe’s existing debayer of Cinema DNG gives the best image quality out there so I have high hopes for Premiere come October.