https://vimeo.com/134462961 Comment on the forum I have been out shooting with the SLR Magic Rangefinder. Key features: It completely takes over focus from any lens Solves lens breathing (reduces to such low level it isn’t noticeable) Adds cinema standard 240 degrees focus ring with FF gearing and hard stops Reduces minimum focus distance of all anamorphic lenses to 1m (even long-throw projector lenses) For those who shoot anamorphic especially this will be…
Browsing: Lens
Hong Kong, China (September 12, 2014). SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011). The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the family. It achieves outstanding images under challenging lighting conditions. When taking pictures with many image-dominant, open light sources, it is…
The Speed Booster ULTRA features the latest evolution of optics from Caldwell Photographic USA and is available for E-Mount and Fuji X-mount cameras (to cover APS-C or Super 35mm recording areas). The new glass brings with it an increase in performance – sharper corners and better contrast. The increase in performance over the original Speed Booster is made possible by the use of cutting edge high index tantalum glass, in 5 elements in 4 groups;…
A Drop In The Ocean: [vimeo]http://vimeo.com/94390460[/vimeo] Behind The Move: [vimeo]http://vimeo.com/74573072[/vimeo] Kendy Ty shoots with a Canon 550D / T2i and Sigma 30mm F1.4 (old version). The results are staggering considering the ‘low-fi’ performance of the gear. If ever there was a spur to get out and shoot something, this is it…
[wp_eStore_buy_now:product_id:5:end] Available now, special price of $19.99 Recommended lenses for the Sony A7 / A7R / A7S – A Reference Guide by Andrew Reid Sony’s full frame mirrorless cameras bring with them a new world of possibilities for lenses.
What is it that makes Cooke cinema lenses so special?
EOSHD is launching a Shooter’s Guide for lenses on the Sony A7R – pre-order it here to get $10 off the launch price Currently the best (read expensive) full frame lenses for low light are the Zeiss Otus 55mm F1.4 and the Leica M Noctilux 50mm F0.95. How does the SLR Magic HyperPrime 50mm T0.95 rate as an alternative?
[vimeo]http://vimeo.com/81352789[/vimeo] (The anamorphic footage starts around 10 seconds in) The new SLR Magic Anamorphot 50 jointly developed with the help of EOSHD is here in it’s final non-prototype form and I’ve shot the above video with it (Sony FS100). This should give you an idea of how the flare moves around during a shot and the general anamorphic aesthetic you are able to get with the adapter. Also part of…