Posts Tagged ‘test’

Above: GH4 test footage shot in 4096 x 2160 Cinema 4K DCI mode. Academy 1.85:1 aspect ratio. CineLikeD profile for best dynamic range.

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Below: Cooke S4i Mini (uncoated Panchro/i version) on the GH4 with Ciecio7 PL adapter (buy it on eBay here)

GH4 Cooke PL lens

Andrew Reid (EOSHD) and Frank Sauer (Filmmaker) are shooting with the Panasonic GH4

On Day 1 of shooting with the GH4 we did a location scout at the Spreepark abandoned theme park in Berlin. The park has granted us paid access to do a proper shoot with the free runners so I am going to save the location scouting footage for when it comes to that edit and the final piece. Frank is near Frankfurt now with the GH4 to shoot a piece with a new aerial drone and gimbal (similar to MoVi) and I have been out shooting with the GH4 around Berlin to get an idea of the image quality when it comes to 4K. I’ve also tried grading the 100Mbit/s 4K codec in Premiere to see how well it holds up. Here are the results in glorious 4K!

Disclaimer 1: This GH4 is a pre-production model. Firmware version is v0.5. The image quality may not represent the final camera.

Disclaimer 2: Because I don’t have NDs big enough or good enough for the Cooke lenses yet, most shots were shot at higher shutter speeds than 180 degrees (1/50)

Tip: if you don’t have a Vimeo Plus account to download the original file and pixel peep I’ve uploaded some short GH4 4K clips here in ProRes LT format. Try grading them and looking at the detail 1:1!

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The Sony AX100 takes the relatively large 1″ sensor from the RX10 and puts it in camcorder form factor with built in ND filter. However it appears that in reading out all the pixels on a 20MP sensor, Sony have created a skew-monster in rolling shutter teams. What’s remarkable about this video is that the panning and trains aren’t even moving very fast. This is some of the worst rolling shutter I’ve yet to see on any camera available on the market.

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Be sure to check out the GH4′s new trick – internally recorded ’1080p’ 4:4:4 with 10bit luma, at EOSHD here

One of the first to receive a Blackmagic Production Camera in the UK (hoping to get mine next week for a review, shipments allowing) is James Miller, Philip Bloom’s friend and frequent shooting partner. As this impressive footage shows even though the camera is designed for general production rather than cinema, I am not missing that BMCC dynamic range here. The footage looks wonderfully cinematic and the camera appears to be a powerhouse of image quality, given the right handling, good light and material.

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Download the original file at Vimeo

Note: This is an early-days test I did quickly before a shoot today. A larger one encompassing more cameras (GH3, D5200, 5D Mark III, Blackmagic Pocket Camera) and scenes will be on EOSHD during the coming week.

The Sony RX10 appears to play in the same ballpark as the Sony FS100. Is this the new budget king for semi-pro videographers?

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SLR Magic Anamorphot 50 1.33

SLR Magic Anamorphot 50 1.33

View 10 frames from a rehearsal shoot with Bunny Suit, a Berlin based band I’m currently working with on a music video

Disclosure: I have worked closely with SLR Magic in refining the flare and have a close relationship with SLR Magic, but I am approaching the lens objectively in my articles.

It’s here! The finished lens.

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The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides