[vimeo]http://vimeo.com/38959690[/vimeo] The 5D Mark III is the long awaited 4 years in the making successor to the one that really started it all. Have Canon managed to keep the DSLR video flame alive?
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Sam Morgan Moore (check out his take on this here) has sent me some high quality grabs direct from his ProRes footage today. Origin, the first 5D Mark III batch to land in London. The workflow was H.264 to ProRes 4:2:2 to TIFF then to high quality JPEG. I have to say image quality is really nice, a great base to work from and very gradable indeed. ISO performance even…
Slowly the new DSLRs are giving up their mysteries as they land in the laps of lucky pre-orderers who thanks to Canon and Nikon have had to blindly throw $3000 in their general direction, hoping that the camera does what they want. So next time if you are listening Canon and Nikon, tell us right from the start about things like image quality, scaling to 1080p and HDMI output quality.…
[vimeo]http://vimeo.com/38009435[/vimeo] Nikon could steal a few 5D Mark III pre-orders just by putting clearer information out and some sample clips. The Nikon D800 has a few tricks up its sleeve which may improve the soft moire ridden video quality we’ve seen so far from it.
[vimeo]http://vimeo.com/38055013[/vimeo] (Please download the original 5D 1080p file, it only streams in 720p. No artistic value. Not representative of final firmware. No salesman will call.) Looks like someone didn’t get the memo! In the last few hours the first 90Mbit 1080p Quicktime file was made available from a pre-production 5D Mark III. The subject matter is mundane but finally we get to see what the true resolution of this camera is…
[vimeo]http://vimeo.com/37879608[/vimeo] Here is a shot from Japan which was shot with both the 5D Mark II and 5D Mark III (with beta firmware) by a camera reviewer. The cleanness and lack of noise is something quite remarkable. Are we in for a incredible low light treat – a truly ground breaking camera?
For the vast majority of DSLR shooters these cameras are a lot of money so it is important to get the right one. Often it could be a small feature that sways it for your individual needs so it is never right to say that one camera is ‘better’ for ‘everyone’. It isn’t as cut and dry. However it is possible to be objective about image quality. I’d say the…
The Panasonic GF2 may be a small camera but the hack is big news. Now GH2 shooters can get a 2nd body for next to nothing and have a b-cam that shoots at the same bitrate and same format, with the same lens mount and the same sized sensor.