Browsing: raw

A professional workflow for 5D Mark III raw is now available. GoPro CineForm Raw offers 10:1 compression and can be edited directly in Adobe Premiere and Blackmagic DaVinci Resolve 9. Adobe Cinema DNG brings a Blackmagic Cinema Camera style workflow to the 5D Mark III and is ideal for grading uncompressed raw in DaVinci Resolve.

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This test was conducted jointly with my good friend and neighbour Rudi at Slashcam – you can read his take on it in German / in English. In the battle of the 1080p cameras, the game has changed. Here’s how the 5D Mark III in raw recording mode compares to the best 1080p output from the Canon C300 and 1D C.

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[vimeo]http://vimeo.com/66574661[/vimeo] Get the EOSHD Anamorphic Shooter’s Guide for a comprehensive guide to anamorphic lenses, which ones to use, how to get them and how to shoot Download the 2.5k 2560×1280 Vimeo file and playback on a 2.5K or 4K display for best results Download a pack of DNG frames from the original raw files to judge quality The spec sheet is impressive. 14bit linear bayer raw is sub-sampled from a 6K…

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This was a great week. It is the first time we’ve seen this kind of moving image from a full frame sized sensor in raw. A pristine 2K 14bit image that’s like a 24fps digital film negative or a digital scan of VistaVision. It’s also a breakthrough for accessibility bringing raw video to many talents for the first time, when the only other accessible raw shooting cameras out there have…

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A full guide is now available – The EOSHD 5D Mark III Raw Shooter’s guide contains 106 pages and 12 chapters of expert advice on raw recording with the 5D Mark III and Magic Lantern! Here’s a quick and easy way to get raw recording setup on your 5D Mark III thanks to the recent Magic Lantern developments.

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[vimeo]http://vimeo.com/66206596[/vimeo] The 5D Mark III is already a very capable low light camera. In its factory guise whilst not quite as clean as the Canon C300 or Sony FS100, it is the best DSLR for low light shooting (though the Nikon D5200 puts up a good fight). But that was before the latest developments with ML Raw. Has low light improved even further?

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