In 2009 Canon introduced a disruptive technology. His name was the 5D Mark II and it was the devil incarnate. At the time they had a pro line-up of video camcorders like the XL2 which were used by filmmakers all over the world. Canon’s 60+ year old management probably thought they’d just killed an entire business, by accident, with a consumer DSLR.
This report is based on a pre-production model.
The GH3 is Panasonic’s most far-reaching attempt yet to take on Canon’s DSLR-market domination. So popular were Canon’s DSLRs for video that they were able to found the entire Cinema EOS business on the back off it (and in doing so, arguably they turned their back on the enthusiast DSLR video market).
But there was always a dark horse and that camera was the Panasonic GH2, with a better image and feature-set than any APS-C Canon DSLR for video. Now the dark horse has come of age but question marks remain. Is the mass market educated enough to choose more discerningly when it comes to DSLRs and DSLMs?
And is the GH3 good enough?
The Canon C300 produces a very clean 1080p image from a 4K sensor. How does the Blackmagic Cinema Camera compare in raw mode?
The 550D was released almost exactly 2 years ago and it was a great leveller of the playing field, since it brought similar video quality to the 7D down to a more reasonable price point.
Update: James has had a full day’s shooting now with the modified 5D Mark III. Check out the footage above.
Warning: please wait for this to all shake out. Don’t hastily modify your 5D Mark III without the necessary technical knowledge and research. Opening the camera voids the warranty and risks irreparable damage.
James Miller has decided to open up his brand new Canon 5D Mark III, tear it down and remove the blurring anti-aliasing filter from in front of the sensor. It does seem like a particularly strong optical low pass filter on this camera, which produces very soft results in video mode.