Revenge of the Zacuto Shootout 2012 – Part 3 review

Zacuto shootout 2012 - part 3

The third and final part of Zacuto’s debate provoking documentary on cinematography and cameras is out. Part 3 is to me kind of like Revenging the Revenge because it goes back to a non-creative scientific (empirical) test of the cameras.

They appear in order of cost from the $700 iPhone to the $70,000 Sony F65 and each are treated with the same lighting, similar settings and the same grading to match as closely as possible.

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Zacuto Revenge Shootout 2012 Part 2 shock – Francis Ford Coppola and majority prefer Panasonic GH2

Francis Ford Coppola gives his answer in the Zacuto Shootout, choosing in order of preference the Panasonic GH2, Alexa and Epic

Francis Ford Coppola gives his answer in the new Zacuto Shootout, choosing in order of preference the Panasonic GH2 (lit by Colt Seaman), Alexa and Epic

Get the most from the GH2 – Read the EOSHD GH2 Shooter’s Guide

The results are in from Zacuto’s Revenge Of The Great Camera Shootout 2012. The majority of those at the cinema screenings – including Francis Ford Coppola preferred Colt Seaman’s lighting and the capturing of it by the Panasonic GH2.

This choice was above the stiffest possible competition including the Sony F65, Red Epic, Canon C300 and Arri Alexa. There’s a comment from Part 2 which really stands out for me and it sums up the reason EOSHD and my passion to write my GH2 book and the blog exists –

“The thing I was most impressed with is that some guys or gals with something to prove did better at lighting than the established cinematographers with a good camera” – Bruce Lundeen (33 min 13 seconds)

This is how you make a great film, a great shot, a great scene – Passion, hunger, creativity and a $700 camera.

Read moreZacuto Revenge Shootout 2012 Part 2 shock – Francis Ford Coppola and majority prefer Panasonic GH2

Revealing Sony FS700 field report / video review

Sony FS700

The first pro field report of the FS700 is in. This compliments some of the other reviews pretty well and a general consensus about the camera is starting to form amongst pros. Is it worth selling both your FS100 and 5D Mark III and buying this with the money left over? Let’s find out…

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Revenge of the Great Zacuto Shootout Part 1 – Review

Revenge of the Zaucto Shootout - 2012 - Camera H

Above: one of my favourite scenes from the episode, click it to enlarge to 1080p, the colour on this shot is ‘early Technicolor’ and ‘Hitchcockian’. But I am not 100% sure which camera was used to shoot it (although I have a gut feeling!) – and that tells you a lot about how evenly matched cameras like the FS100 and GH2 are with much more expensive offerings (if viewed at 1080p)

If you haven’t already I advise you to watch the episode before reading this and draw your own conclusions first. If you have seen the full screening please do not reveal the results on the comments forum.

Watch episode 1 here!

The Zacuto Shootout is like a torch light in the dark for many aspiring, young filmmakers and it is useful – not to mention fascinating and enjoyable – to see these incredible tools fight for the best image. Now the Revenge series has added people into the mix it is even more interesting and educational.

Read moreRevenge of the Great Zacuto Shootout Part 1 – Review

Dear Sony (Part II)

Contrary to what some believe I don’t dislike Sony or pro video cameras. Back in the earlier days of DV I used to shoot with a series of different Sony cameras. The Sony VX2000 was an affordable competitor to the legendary Panasonic DVX100. I upgraded to the more rugged Sony PD170 with XLR jacks and lots of nice pro features but unfortunately very similar image quality. My last Sony camera was the FX1, predecessor of the more expensive EX series, and then DSLRs came along and gave me what I really wanted. Better low light performance, less noise, better dynamic range and interchangeable lenses on a (very) large CMOS. A big change in the market.

Read moreDear Sony (Part II)