Fuji X-H1 is here – a Cinema 4K 200Mbit hybrid camera with IBIS to rival GH5

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Fuji is stepping into the high-end video mirrorless market with the X-H1. The official press release and specs have been leaked (in German). With this camera comes a massively upgraded 4K codec, 5 axis IBIS and a total of 20 “functional and performance enhancements”.

Read moreFuji X-H1 is here – a Cinema 4K 200Mbit hybrid camera with IBIS to rival GH5

Panasonic GH5S brings massive low light improvement – exclusive interview and hands-on

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Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…

The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.

For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.

Read morePanasonic GH5S brings massive low light improvement – exclusive interview and hands-on

Olympus E-M1 II mini-review – a sign of things to come with the Panasonic GH5?

Olympus E-M1 II and 25mm F1.2 PRO

I got to play with the new Olympus E-M1 II today, a pro Micro Four Thirds camera they hope will sell for $2000. It certainly pulls out all the stops to imitate a miniature 1D X Mark II.

This camera does NOT crop the sensor in 4K mode like the GH4. Instead, it over-samples from 5K down to 4K, using the full width of the sensor even with sensor-shift 5 axis stabilisation enabled.

Featuring a 237Mbit codec, the image quality in Cinema 4K mode is outstanding with very little rolling shutter.

Read moreOlympus E-M1 II mini-review – a sign of things to come with the Panasonic GH5?