[vimeo]http://vimeo.com/74457964[/vimeo] In part 2 of the SLR Magic anamorphic coverage we’ll look at how the prototype lens looks and performs on the Blackmagic Cinema Camera. There’s also a poll in which you can help influence the final lens flare this anamorphic produces.
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At the beginning of the IFA show in Berlin, Andrew from SLR Magic dropped by at my studio and dropped off the V2 and V3 anamorphic prototype lenses the company are working on. As long time EOSHD readers will know I am a passionate advocate and shooter of anamorphic. The SLR Magic anamorphic is the first new lens of it’s kind to be announced in many years.
[vimeo]http://vimeo.com/72646025[/vimeo] Thanks to Michel and Ludwig at HD Videoshop in Berlin for the test unit. Essential primer details on the MINI are here. The KineRAW Mini is a very cool option in the emerging raw market. With an almost identical range of features and the same 4K Super 35mm CMOS sensor found in the larger, more expensive KineRAW S35, this baby version has a form factor I absolutely love. It is not just…
Above: my EF mount camera with Iscorama 54 and ReWo BMCC cage UPDATE. Cameras are now in stock in the US at the new prices of $1995 – At Hot Rod Cameras Full Blackmagic range – both EF and mFT cameras now in stock At Adorama Blackmagic Cinema Camera with EF Mount Blackmagic Cinema Camera with Micro Four Thirds Mount At B&H Photo Video Blackmagic Cinema Camera with EF Mount…
Blackmagic are holding an event right now in LA and information is being reported back by attendees from the Blackmagic reps present. EOSHD takes a look at what’s new…
Though it cannot be 100% confirmed I am pretty sure the Blackmagic Production Camera uses a sensor supplied by CMOSIS, which if true would be very good news as it is the latest technology and already in mass production. Here are your sensor questions answered…
Let’s go misty eyed for a second and imagine you’re shooting a Terrence Malick inspired scene at magic hour this Summer, a warm breeze drifting through the air. The sun glints through the trees and the scene begins “action” – with 4K with a global shutter for $4000. Is this really going to happen?
For the second NAB in succession Blackmagic are bulldozing down the image quality / price barrier for film production. 4K compressed raw, global shutter and Super 35mm was the unique preserve of Sony with the F55 until today, and that was a $36,000 camera. This is a $4000 one. Gone is that extra margin – unsettling stuff for the big guys. Here’s my own personal look at the cameras and the…