Shot by the Lumière Brothers in 1896 this is some of the first footage committed to film. There is now a technique to upsample this footage to high resolution 4K/60p using neural networks. Here it is in action on the piece “Arrival of a Train at La Ciotat”.
BBC interview with Executive VP of Canon Europe. Go to 4 mins 08 seconds.
It’s been a rocky reception for the EOS R. Even the BBC have been giving Canon a hard time over the ‘too little, too late’ approach. Now it’s time for some of the most loyal Canon users to use the camera ‘in anger’… Literally.
They are finding out the hard way it has some major issues.
Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…
The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.
For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.
In addition, 1920 x 800 recordings at 60fps are continuous to the card without a frame limit, a feat made possible thanks to new lossless compression.
NB: Sample videos will come next week
If you want a nice 1080p camera that is packed with features and doesn’t cost very much then there’s now two really good options available from Sony and Panasonic.
The A6000 is certainly Sony’s best performing mirrorless camera yet for video with an APS-C sized sensor vs the Micro Four Thirds sensor in the GX7.
I’ve been shooting with both to decide which one is most fun to use for video.
More on the Sony F55 at EOSHD – analysis and specs
Here it is! Shot in 4K at 60fps for slow-mo, this is a test movie from the Sony F55. Designed to compete head-on with the Arri Alexa, the camera’s major selling points are a global shutter and future proof 4K.
This is what happens when you don’t overhaul your imaging chips for 3 years, Canon. The new Sony HX9v compact out-resolves the 600D’s video mode for resolution, and has 1080/60p. It is also a lot closer to a DSLR in terms of dynamic range than I expected it would be. It fits in my pocket and has a stabilised 24-380mm lens.
It has an image processor powerful enough to handle 43 megapixel panoramas in-camera as well, but that along with the incredible ACT stabiliser is something I’ll go into more detail on in the full review later.
The HX9v’s video mode is to compacts what the 5D Mark II’s video mode was to DSLRs.
This is a response to Stu Maschwitz / who wrote this ProLost blog a very well articulated piece on James Cameron and Peter Jackson’s plans to abandon 24p.