Search Results: anamorphic (335)

[vimeo]14642823[/vimeo] My name is Trey Vollmer and I’ve been pursuing filmmaking for three years now – I could not love it more! I also work as a full-time personal trainer here in Jacksonville, Florida. Believe it or not I have found that flexibility, strength and endurance play a key role…

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EOSHD brings you an interview with the man behind the first broadcast quality 3D DSLR rig and you won’t need 3D glasses to read it… David Cole and his team at Beampath are currently building a DSLR 3D rig with dual Panasonic GH1s to compete with the best of them.…

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Click here to play in HD (You will need to be logged into your Facebook account) Here is the original cut of my Philip Bloom meet up video, inspired by (but not seeking to profit from) Stanley Kubrick’s A Clockwork Orange.

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[vimeo]13004933[/vimeo] Here is my footage shot with the Isco Centavision anamorphic lens (link for iPad) When I first used a 2.35:1 anamorphic conversion lens on the GH1 I thought 16:9 was dead. It looks more cinematic, without doubt. Anamorphic lenses are cinema on a stick.

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Robert McLachlan ASC,CSC is a leading director of photography, whom’s work includes The Golden Compass, the Final Destination franchise and network TV show Human Target – www.fox.com/humantarget – on which he used the Panasonic GH1 HDSLR. I’m really pleased to bring you part 2 of my interview with Rob where…

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