The Flare Factory 58 is modified lens by fellow British filmmaker Richard Gale, and a regular member of the EOSHD forum. A few weeks go Rich sent me one of the first of the lenses, a Flare Factory 58 (serial 004). Humorously branded Dog Schidt Optiks (the ‘n’ is silent), Rich is…
Search Results: anamorphic (329)
http://vimeo.com/62177101 The Nikon V1 is a $300 camera – buy it now on eBay High speed shooting hasn’t been possible on DSLRs until now. Again it is the much dismissed Nikon V1 providing the creative inspiration…
https://vimeo.com/59832019 UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The Nikon D5200 is the best mid-range Nikon yet for video. What is more of a surprise is…
New in this update Robocop 2 Sony FS100 Isco 2x anamorphic with support system for 15mm rails Optex 1.33x anamorphic lens
http://vimeo.com/59539071 The Lens Whilst Canon L lenses are like a fleet of company Lexus cars. This isn’t really what I want in my films. I need something different. Something with character. For this reason I’ve long been using anamorphic lenses. I recently shot some test footage with the Iscorama 54…
Above: the Epic with anamorphic lens In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart.
How does the Blackmagic Cinema Camera compare to an established film industry standard, the Red Epic? Along with ReWo and MBF Filmtechnik in Berlin we decided to find out.
What’s new? Timelapse interval recording Canon lens F-stop display on the monitor ExFAT file system support for SSD media SDI output now supports RP-188 timecode I’ve installed the update and here’s what I think…