Nikon D5200 vs Canon 5D Mark III
Let's pit the $700 Nikon D5200 against the $3000 Canon 5D Mark III and see which one comes out alive. Since the 5D Mark III failed to impress me on its launch…
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Let's pit the $700 Nikon D5200 against the $3000 Canon 5D Mark III and see which one comes out alive. Since the 5D Mark III failed to impress me on its launch…
The Nikon D7100 is here and appears to be based around the new sensor and image processor of the D5200 which is proving rather good at video so far. Whilst the D7100…
UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The…
New in this update • Robocop 2 • Sony FS100 • Isco 2x anamorphic with support system for 15mm rails • Optex 1.33x anamorphic lens Robocop 2 Buy it now One robot…
The Lens Whilst Canon L lenses are like a fleet of company Lexus cars. This isn't really what I want in my films. I need something different. Something with character. For this…
The Cinema EOS range for pros seems to be a blazing success. It isn't that the C300 has the best image or the best technology, it is one of those products where…
Above: the Epic with anamorphic lens In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart. On this…
How does the Blackmagic Cinema Camera compare to an established film industry standard, the Red Epic? Along with ReWo and MBF Filmtechnik in Berlin we decided to find out. Introduction Although a…
Above: my Blackmagic Cinema camera with ReWo cage - a shootout with the Red Epic is coming soon BlackmagicUser.net recently did an interview with John Brawley, the cinematographer close to Blackmagic Design…