Nikon V1 - shooting 4K 60fps raw for $200
Above - the compressed 2.4k version of 4K raw from the Nikon V1 (download the original at Vimeo) by Javier Sobremazas The Nikon V1 is $220 (body) or $300 (kit) on eBay…
Archive
Latest stories Page 124 of 212
Latest
New Leica M with 1080p out in the wild - and first look at video quality
Catch the EOSHD interview with Leica's Jesko von Oeynhausenand and hands-on with the Leica M type 240 here The new Leica M (dubbed type 240) has a CMOSIS full frame sensor, and…
Ikonoskop A-cam dll versus Blackmagic Cinema Camera
Read more in the first part of this article Back in November I tested the Ikonoskop A-cam dll with Rob of Slashcam.de and Ludwig Reuter of HD Video Shop here in Berlin…
Digital Bolex image quality - Exclusive look at sensor samples and footage
The D16 Digital Bolex - pictured above in the hands of the biggest 16mm advocate of all, Darren Aronofsky Does the Digital Bolex have Blackmagic on the back foot? A friend Roald…
Electronic follow focus revitalises dual-focus anamorphic lenses
Discussion of the prototypes on the EOSHD Anamorphic Forum Many anamorphic lenses especially the affordable ones require the prime lens to be set to the same mark as the anamorphic on the…
Breaking news - Canon announce new full frame sensor for video
• Full frame 35mm • 16:9 format • Hyper low light sensitive - even larger pixels than 1D X sensor • Prototype to be shown in Japan between 5th-8th March If you…
DJANGO UNCHAINED - Anamorphic is Tarantino's preference - how DP Robert Richardson shot masterpiece 'spaghetti southern'
Thanks to Volker for spotting the info. Image credits and further reading: Django Unchained / Robert Richardson at The American Cinematographer Magazine ~ Django Unchained echoes spaghetti westerns at Kodak camera and…
Forum hot topics - Anamorphic, Metabones Speed Booster, raw GH3 footage and more
"They each have their own unique character. Which image do you prefer?" Iscorama VS Iscomorphot 8 2x VS Iscomorphot 8 1.5x by QuickHitRecord. This is a new weekly series on EOSHD. The…
ProRes vs ProRes - A first look at uncompressed HDMI with the Nikon D5200 vs the Blackmagic Cinema Camera
In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out - the codec is no longer a weak…