HockeyFan12 Posted June 16, 2017 Share Posted June 16, 2017 1 hour ago, Bkn Soc of Cinematography said: Until it shoots 10 bit log, it's a non starter for me. I agree with Andrew in that RAW can be hassle even in a pro environment. I work on a lot TV shows in the US. Episodic, dramatic stuff for networks and such. Virtually all the shows (except Netflix), despite their multimillion dollar budgets, shoot pro rez on Alexa in Log C. They could shoot RAW but don't want to lose the time and endure the hassle of RAW. The bigger the show, the more money that time costs. In what role? Just curious. Camera department? If so I have a few questions. From what I've seen this is 100% true. Different flavors of raw are different flavors of pain so I try not to generalize that every raw workflow is a nightmare. But I would prefer 10 bit log prores over any other format as well. TheRenaissanceMan 1 Quote Link to comment Share on other sites More sharing options...
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