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Mr. Freeze

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  1. I guess it can be used for some simulated tilt shift lens effect, but extending the DOF-Effect is a tricky thing. It might be better to get as much as possible with aperture and distance to the object and maybe put a power window on your object of interest, and pushing exposure/contrast a bit in post in resolve.
  2. If you wanted this very saturated look, it is very dominant and to strong for my taste though. Is this a 10-Bit-Codec? But I didn´t like the fake Blur. Like TomTheDP said, it looks artificial and it doesn´t really blend in nicely.
  3. The BMMCC is very different, compared to the Micro Studio 4k. Basically, the Micro Cinema Camera is the sensor of the original Pocket in a small Box, but with 60p capabilities and 3:1 CinemaDNG-RAW. A really "cinematic" little Camera, whereas the Micro Studio 4k is supposed to be used in another kind of (studio)-setup. Recording is only possible externally and the sensor is different as well.
  4. This is supposed to be watched on drugs? It´s crazy, it´s strange aber ich mag Musik mit deutschen Texten nicht wirklich.
  5. Sigma FP2 with a cube-formfactor and a top-screen
  6. I really like it. Sure, you could tweak the color/brightness of text and background. But it is already easier on the eyes. I use the dark-mode in almost any app that gives me this option.
  7. Thats interesting. As a Blackmagic-User it´s no surprise that the Pocket 4K takes the first place, even though I thought that the GH5 would be the "winner" here. The fact that canon is really underrepresented in this list shows a lot. I made the switch from the 550D/T2i to the Blackmagic-Cameras some years ago and never looked back. I do own a Panasonic G70/G7, but more for fun, I don´t really like the ergonomics for Video. Still, your list shows that it´s the smaller formfactor, that is of most interest here on the forum. No RED, no Sony F/FS-, no Canon Cinema, no Ursa Mini, no EVA/Varicam.
  8. Guten Tag @Neumann Films great to hear that your 12K URSA is on its way. I´m looking forward to the first samples. What I´ve already seen from BMD and John Brawley looked awesome. I just like the BM Color-Science and BRAW aswell. Back then it was CDNG and ProRes with the BMCC and the original Pocket, ahead of Canon here. Now it is the great Codec in combination with an enormous amout of recording-modes and really high-res formats.
  9. I still own my GoPro 3 Black and use it from time to time as a overhead drum camera on concerts, so I´m still kinda watching what GoPro is doing. Still, I´m waiting for the right features to buy another one. Better codecs, higher bitrate, bigger sensor would be awesome. Until then, it is not the right tool for me.
  10. Yeah, I´d say for me clickbait can be something that promises to be XY and the only delivering a small percentage of that or even nothing at all. If something is marketed in a grand way and then delivering on it, I wouldn´t call it clickbait.
  11. I try to exclude those channels from my youtube-account the best I can. The titles and clickbait is one thing, but the studid shocked-faces is something I can´t stand. Even if something would be of interest for me, I won´t watch it once some of those factors come into play. Basically, as long as users/consumers continue to watch content without reflecting on it, its producer(s) and what its goal is, this stuff will continue to be made. Sure, some of the channels are pure marketing/advertisements and there is nothing wrong with it (as long as it is presented for what it really is),
  12. I like the 12-40 f2.8 a lot, so I don´t really need another Olympus. But I can recommend it for videowork. Works great with the original Pocket camera aswell as the Pocket 4k. Especially the manual focus mode is awesome.
  13. Stay with your NX1, it is awesome. So invenstments in Audio- and Lighting-Equipment would be the smart choice.
  14. Facebook in 60 years might look like this image.... But yeah, I think despite the new releases from Canon and Sony, Covid has given the BMPCC, GH2 Canon M etc. a substancial push on the second hand market.
  15. I have the Canvas React as well, and mine does 50p in 3:1 Raw. 60p is only possible with my older Sandisk Extreme Pro.
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