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  1. @Sage: i'm a happy user of your conversion for the GH5 and A7s3. I remember you talking about the releasing the same color science you used in A7s3 for the GH5 too, is it out yet? thanks 🙂
  2. Looking forward to get the AFX, participated on indiegogo!
  3. that reminds me of talk we had ages ago 😄 back then i was chastised for going for motion blur in Resolve. Filming at a higher shutter also an edge when stabilizing footage... as you skip the motion blur from that... you have to deal with rolling shutter tho. Just apply motion blur after stabilizing
  4. when you use ibis on panasonic cameras on manual/anamorphic, you also have to dial in focal length/squeeze. Dialing in focal length would be cumbersome with zooms.
  5. heh nifty 50... im experimenting right now with convex Zeiss stuff... it's fun! so many nifty 50ies out there to find your own jibe!
  6. i recommend watching this : if you want to get into production... lighting is much more important than any camera/lens
  7. i wouldnt say panasonic is out. their s1h is still my first pic. by far. 10bit, awesome varicam color science. also custom LUTs, and dedicated anamorphic recording modes AND anamorphic IBIS modes. As long as Canon doesnt do those... ill stick with the S1H. im waiting for mid February to decide We anamorphic nuts might just be a few, but we are vocal xD
  8. mighty interested in this as well. Heck, we have the S1H and XT-4 for anamorphic nuts like me already, i really wonder what Canon will pony up in 2 weeks. The canon really got one big advantage over the other 2 : the RF to EF ND adapter. that alone could sway me.
  9. heck, if this is even half-truth ... i'm interested. means i could use my old L glass, lots of anamorphic adapters with the RF to EF ND filter adapter. I guess i am salivating. For me, a nice ND filter solution with good anamorphic ratios (3:2, 4:3; 6:5) feels like the next step to me. with anamorphic IBIS support
  10. thanks @Attila Bakos! i'll give it a try tonight and see which i prefer
  11. I'm really curious what you came up with Right now im using CST's to linear and back to do my pre-GHa exposure. Looking forward to your solution!
  12. the clamp came with the aivascope but for others, i like RAFCamera lately.
  13. talked a bit with Max about them ... they really are everything they should be. Heck, for a Gottschalk lightweight and close focus design, they aren't that expensive either!
  14. wow @hyalinejim, that blew my mind ? Usually only transform v-log to linear and back in resolve for printer lights WB, but i have to admit that ACES is way over my head
  15. I'm curious, how are you using ACES with the GH5? Afaik there is no IDT for it?
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