funkyou86

26 minutes ago, Dimitris Stasinos said:

Has the jittery motion on viewfinder been discussed here? The motion i am seeing when recording at 25/30 fps (on viewfinder only) is a total mess. On the monitor the motion seems ok. Some users are saying that the final output when recording at 25/30 fps is jittery with the slightest movement of the camera but i can't test it right now cause i am away from my pc.

Haven't had this experience so far. Was the shutter speed okay?

1 hour ago, AaronChicago said:

Here is a music video that I shot last month using the GH5 with 35mm and 50mm SLR Magic anamorphic primes. VLog L. 4K 8 bit. IBIS was a nice feature to go w/ the lenses whenever I needed handheld. I'm praying for in-camera anamorphic desqueeze from Panasonic this year!

 

Job well done, make me wanna try these anamorphots  Love the brick wall look!

23 minutes ago, Inazuma said:

Yeh if you have the latest version, you can do it in one of the subgroups of the lumetri panel. 

Thanks, will try the new update

Saw this video couple of weeks ago, and I find the technique of desaturating the shadows very pleasing. However I work in premiere and the lumetri panel does not have the ability to do that, or am I mistaken? Is there any way to do it? Thanks!

Sold.

9 minutes ago, A Furry Peanut said:

Not to my knowledge, and I tried exporting with "Global fx mute" which is supposed to mute all effects including lumetri and I still got the problem. 

If you export the sequence from premiere, does it behave the same? The only thing which comes in my mind is to clear all cache, restart computer and try again. 

7 minutes ago, A Furry Peanut said:

I didn't use any luts for this

Still, it has something to do with the Lumetri panel. Are you using heavy grade?

21 hours ago, A Furry Peanut said:

Does anyone know why this is happening? I have tried:

- deleting and undeleting the clips from my timeline 

- copying and pasting onto new sequence

- copying and pasting onto new project

- renaming my premiere pro file

- saving premiere pro to a different location (desktop) with different name then exporting to a different location, 

- change the renderer in AME from GPU Acceleration to Software Only

- exporting directly from premiere pro instead of AME

All the above methods did not work, the only solution I have found was exporting in a different format then converting it to mp4 however I was wondering if there was another way around this. I also noticed that whenever I try to export the "Around timecode" and "Rendering at offset" in the error message would be different but the "Error code" would always be -1609629695 

 

I had this issue as well, copied all my luts to AME's Lumetri/Creative folder, and it solved the problem.

Very nice! Here's mine with Canon 85mm and Lie709

Sigma 18-35:

Shot this last weekend. Mostly in to 150 fps. Some shots were overexposed, but you get the idea, it was very sunny and hot.

Used a DEC lens regain, Sigma 18-35 and Canon 85mm, shot mostly handheld with stabiliser on. Two shots are twixtored. 

Straight from the camera the Rec709 is awesome, period. I added an osiris lut to pop some colors. 

Available now for pre order @ CVP

https://cvp.com/index.php?t=product/canon_eos_c200_ef_camcorder

7700 GBP. 

8 hours ago, buggz said:

Which card is this?

I current use a Lexar 2000X in my GH4, and have a GH5 on it's way to me, so, I need a new card, or so I've read...

Hey. I use Kingstone 256GB U3 cards (R90/W80), they work perfectly fine. Except that one time when my card died on the shooting day and lost all of my footages...

6 hours ago, AaronChicago said:

Has anyone had their GH5 shut off 30 min into recording? I was recording HD on a Sandisk Extreme 95 so I'm sure it wasn't a card error. I had it set up to record some BTS and when I checked on it 45 min later it has powered down. I turned it back on and the battery was still 3/4 full. I checked the file and it had recorded 31 minutes.

Yep and works like a charm. I am constantly recording 95 minute interviews to 256gb cards.

False color lut now available for GH5:

https://luts.iwltbap.com/false-color-lut/

Benjamin did a great job, again!

The best GH5 review out there. Wolfcrow did a great job.

Hey folks!

My EF to MFT wireless follow focus and speedbooster in one is now for sale. Shipping from EU to to countries of European Union. It has some minor signs of use, but technically is in 100% condition. Price: 390 eur. Please contact me via Direct Message, thanks!

Fits your GH4 and GH5.

The package containes: DEC Adapter, Focusing grip, Clamp for the grip, Receiver, USB cable, Recording extension cable. 

Andyaxes reveiw of the item:

Some photos:

Some anamorphic goodness.

10 hours ago, keessie65 said:

My third lens is the Kowa anamorphiC 35 - 1.5x. The other two (Bolex 16/32/1.5 and Iscorama pre 36) I sold already. These three lenses belong to the top of anamorphics at 1.5x. They are different from each other but I like the sharpness and clearness of the Kowa. Perhaps this thread will give others to share ideas and footage. Here my first test, paired with the Voigtländer Ultron 40mm and Samsung NX1. Enjoy!

 

Kowa 1.5x is a dream lens. How do you find it against the Bolex?

7 minutes ago, tomsemiterrific said:

I have a speed booster adapter for my GH5 so I can mount Canon FD lenses. But the fit is loose--for both the camera and the FD lenses. My standard non-speed booster mount works really well--nice fit and solid. 

I know there are a lot of speed booster mounts for this combination--lots of knock-off products, so it's very confusing. Does anyone know of a good brand that produces an FD to MFT speed booster mount? I don't mind paying for it if it works well. There are some instances when those FD lenses are invaluable in my shooting.

Even the Metabones has a play in it. Jordy from Cinecom (YT channel) claimed that few weeks ago, and duct taped the mount as a fix.

From personal experience I can recon Zhongyi - Mitakon Lens Turbo's, the IQ is great and comes in affordable price. However, mine had a really small play in it. It was a problem only when I was shooting anamorphic, otherwise, I loved it.

@HelsinkiZim I shot some 96fps with my gh4 and then twixtored it, it was absolutely usable, so I bet that you can do some great stuff with the 180fps.

I shot some chicken last week, here's the footage. Probably not the best for twixtoring (the fence will cause some issues), but at least you'll get the idea how it looks.

I shot in to Vlog, so not the greatest quality, artifacts, noise, etc.

The link will expire within 12 hours: https://drive.google.com/open?id=0B58lJC1ZGzPZaHNualBHVnE1Ukk

17 hours ago, buggz said:

http://www.ebay.com/itm/Kowa-2X-Anamorphic-for-Bell-Howell-/222495383711?hash=item33cdc2209f:g:q7kAAOSw-3FZB3lF&autorefresh=true

Winning bid: US $1,225.00 [ 22 bids ]

Wow!   That's expen$ive!

Can't believe how overrated this lens is.

My favourite retailer has posted some new stuff again, curious about thsi one: http://www.ebay.com/itm/Vintage-x2-Singlefocus-F1-4-Anamorphic-Lens-Anamorphot-warm-flares-1-/132162601288?hash=item1ec5814148:g:O8EAAOSwHMJYG7J8

1 hour ago, Brother said:

Except when there's no other way than autofocus on a piad gig. Other than that, agreed  

You have no AF in slow mo mode, and I suppose you'll need slow mo on a paid gig.

So what is this still ongoing AF discussion about?

Most of the people complaining about AF never even truly used AF before. They just want the canon dual pixel and the A6500 AF technology in the GH5. It was written down thousand times in this forum, pick the right camera for the right job

11 minutes ago, Brother said:

We have different views on what would be acceptable performance on a paid gig, that's all.

Paid gigs = follow focus (and focus puller), family events = AF :D

11 minutes ago, jonpais said:

That is among the ugliest footage I've seen from any camera online - who cares what this guy thinks, he can't even shoot.

or he shot AVCHD with the possible lowest bitrate . F.... clickbait videos, I hate them.

Backlight separates your subject from the background, makes it pop out, and the image won't look so flat. You can than mess with color temperatures, like lit your subject with warm (3500K) light, than give him a cool (6000K) backlight (on the hair for example).

Les Claypool is out of this planet, absolutely favourite, thanks for sharing!