Zach Goodwin2

@kye I have been taking photos lately.

How many filmmakers are there out there who are struggling with a mental condition?

How many of you all have full time jobs that are not related to filmmaking? If you have a full time job not related to filmmaking, did you find time to go to film school?

New picture I took with the FD 35-105 F/3.5. I'm trying to make my pictures look like paintings.

Another picture I took with the FD 35-105 F/3.5 on the Canon Rebel T2i.

3 hours ago, Adam Kuźniar said:

how a camera works:

light

sensor

electricity

01010101

 

Exactly that is what it is in simplest terms. And the reason why the sensor captures light to form an image is because the sensor has special diodes that work like a scanner and a solar panel that reads the light then reacts to it. There has to be plenty of light for the sensor to do this process correctly. Basically what a digital camera is is a robotic eye with a mechanical brain.

Here are some of my photos taken on my T2i with the Edmika EF mount FD 35-105mm (best photos so far).

https://edmika.com/product/fdn-35-105-3-5/

You made an excellent short film and I liked it.

Okay, this is my guess on how a camera works:

We all see light and color as it reflects and refracts. The light our camera sees is from the glass that it is refracted from through the several glass elements measured in the various sizes. Light then strikes a sensor that captures the light elements then it scans the light elements. Electricity passing through the camera from the battery gives the camera the ability to encode this striked light. The striked light then goes through several variations of software code and several variations of color depending on the technology and software of the camera. The light produces an image that is then stored in many variations of codes written on the material of the circuit board inside an SD card if there is too much stuff written on the material you can not take any more images. After the storage, the image is shown on the camera's screen which is there because of many signals of the leds of that screen. How you determine how much light or how much less light is through the ISO, shutter speed, and Aperture in this process.

Those are some good pictures kye.

Excellent short film.

The time I first started making films(actually videos) was with a webcam and legos. I was actually into brickfilms at the time then I discovered Indy Mogul.

You can get cinematic FD lenses by using an edmika adapter.

Someone on Youtube suggested that I should make another Sammy the Sock episode. He said to do with stuffed animals this time. He also suggested to do it on an iPhone. Probably also told me to repeat making the short. I don't know what to do. What do you all think I should do. I don't have an iPhone and I like using my T2i. All I have avaliable as a phone is flip phone.

2 hours ago, Cinegain said:

When can we expect the first test shots?

Uhmmm.... A long time. A very long time from now...

Well I just found out this existed:

https://www.bhphotovideo.com/c/product/1385403-REG/tokina_tc_16exp_ep_cinema_1_6x_expander_ef.html/?ap=y&gclid=EAIaIQobChMI7oC8v-TO4QIVGksNCh1ecwIvEAQYASABEgIGzPD_BwE&lsft=BI%3A514&smp=Y

And with this lens as well:

https://www.bhphotovideo.com/c/product/1309795-REG/arri_k2_52131_0_lds_ultra_prime_85_t1_9.html

Oh and I hope they make an IS version of the 24-70 EF lens soon. That lens could be very useful.

After since doing some calculations I have found the perfect camera and lens combo that is professional:

https://www.abelcine.com/buy/cameras-accessories/digital-cinema-cameras/arri-alexa-sxt-w-basic-camera-set

with

https://www.bhphotovideo.com/c/product/813891-REG/angenieux_24_290_optimo_optimo_24_290mm_zoom_with.html

Alright alright no more questions I'll get to it. I'll post the short doc in a month or so.

I don't think I am going to be able to interview people. Are there any alternatives to interviewing?

I'm trying to find a way to make motion picture films with a camera that would lessen the costs of lighting equipment while at the same time be feasable enough for a crew, logically speaking. I like natural lighting.

I am guessing by you all's sarcasm that what you are saying is that low light is not that important, so the key factor in getting a new camera must not be low-light.

How do you fix a blue window or a very warm indoor video where the window and the subject is shown? Is there a way to color correct this in video with a constantly moving subject and constantly moving camera? I know how you can fix it in camera with a blue tint bulb or blue tint gel, or orange tint window peel, but how can you fix it in color correction?

Could I also try editing you all's videos? Maybe practice doing visual effects? I have a gaming computer.

So I'm guessing it would be good at ISO 25,600?

5 hours ago, Nikkor said:

Still looking for magic bullets?

The Sony A7s is affordable.

btw, what happened to that Canon Zoom lens, that was going to be the best lens in the world and you were the chosen One to have it,etc...

Do you see a pattern here?

I threw that lens away.