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Miklos Nemeth

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  1. I guess they were preproduction models only. When AR, PB or JB, so some reputable videographers, report their results and opinion, then I'd say we can start talking about reality and not hyperboles. I used to have the EOS R, and the gigantic 1.8x 4K crop totally killed it, I simply wasn't able to get myself used to the practice that my excellent 16-35f4L wide lens is just a paperweight for 4K video. The first version of the video AF on the EOS R was really disappointing vs what Sony had at that time even in A7III let alone A9. Today the EOS R's video AF is quite OK, even to my high expectation
  2. Still it is just a kind of rumor, even the Canon EOS 1D X Mark III is not available, it was announced to be available mid February 2020, actually now, and I'm definitely looking forward to hands-on evaluation by reviewers like AR, here. As for how the heck Canon could make a 8K video camera while the S1H cannot? The only explanation I can think of is that all recent 24M cameras, A7III, Z6, S1, S1H, fp, all use basically the same Sony sensor (technology), and somehow Canon managed to make a sensor that is revolutionary and better in this regard than the Sony sensor technology. It could be just
  3. I've just had a look on e-infinity's eight best sellers and there are four Sony full frame cameras, a Canon and a Nikon DSLR, a Tamron lens with Sony mount and a Sony GM lens. No APS-C cameras at all, not anything from Fuji, nothing from Panasonic. The Sony E-mount ecosystem is so versatile and excellent that Fuji cannot compete in this arena, at least not today. APS-C? Come-on, who wants to buy APS-C when full-frame cameras are abundantly available: Canon, Nikon, Panasonic, Sigma, Sony. Fuji made a big mistake not jumping on the FF band-wagon in-time. Fuji is esoteria, honestly, when thinking
  4. You wrote Andrew Reid in your article "However, you won’t find a full frame mirrorless camera with 4K video from any of those manufacturers at $1299." From Canon you won't have full-frame 4K below $33000 (it's the price of C700 FF).
  5. Excellent review, Andrew, Thank You so much. There is a way to do this "AF-S in video" function with the excellent Touch to Spot Focus this feature is available only on touch screen Sony cameras: A5100, A6500, A9, A7RIII. This does exactly what you just described. When you gently touch/tap the screen in Wide, Center, Zone focus area modes, the camera performs a hunting-free rack focus to the touched position with a speed depending on the AF transition speed you configured (fast, normal, slow). While establishing the focus the camera screen is blinking a label Spot Focus. After the focus i
  6. ANDREW REID: "OK first of all, assuming you might use manual focus sometimes, or often, let’s get that punch-in focus assist working which is absolutely mega on the GH5 – the highest frame rate and resolution I’ve ever seen for a punch-in focus assist." Do you mean that punch-in focus magnification (aka MF Assist) works on the GH5 WHILE/DURING recording video? The GH5 would be the first Panasonic camera (including expensive dedicated video cameras) that would support this feature. It would be really awesome. So, again, do you say that after you start recording on the GH5, you can activate
  7. The A7Rii and A7Sii both have 0.78x EVF (2360K pixels) and 1229K resolution LCD, the EM-1ii EVF is 0.74x (2360) and 1040K resolution LCD, A7Rii/A6500 has excellent quite usable no hunting video AF, the EM-1ii just like GH4/5 continuous AF is unsubtle because of excessive microhunting. The EM-1ii doesn't support focus magnification/MF assist while recording video. How do you evaluate these (severe) limitations? Simply ignore them? Whatever you say the image feels just from a small sensor camera; I simply cannot see any reason to go Olympus/Panasonic when we have no cropping 4K full-frame A7Rii
  8. I'd never expected that Mattias Burling would ever touch a Sony camera. He used to be an avid Sony hater (the only Sony I saw on his youtube channel was an FS100). And now, he is here as an evangelist of Sony technology. Hmm. On the other hand, he is really a knowledgeable guy, and worth reading his articles, and watching his videos, absolutely. On this topic he is delivering really great contents, so a big thanks, that he is taking the time of sharing his experimenting. I am a recent fan of medium format film photography, and I guess I'd change from Mamiya 6x7 over to Mamiya 6x4.5. I've been
  9. What is the maximum acceptable ISO value on Canon XC10 on f5.6 applying the maximum (305Mbps) 4K bitrate? What is the maximum acceptable ISO value on Sony RX10m3 on f4 applying its 100Mbps? What is the maximum acceptable ISO value on Sony RX10m2 on f2.8 applying its 100Mbps? I am very much interested in your opinion. Thank you so much.
  10. Yes, exactly. Since I have my Atomos Ninja2, I never copy video files from the 1T HD or the 512 SSD I have. I simply configure my Premiere project directly on the USB3 disk next to where the video files are recorded. When I am done with editing and rendering, I save/export the final movie file and upload it from the USB3 disk. For a while, I keep the source on the disk, but eventually I recycle. I am not on 4K yet, still even today with my 1080 files, I found external recorders with (affordable) high capacity and fast (USB3) HDs/SSDs are godsend for working with enormous video files of high qu
  11. Yes, sure, but, the XC10 is priced as if it were a full-frame ISO400k :-) Anyhow, I am impressed with your reply, thank you so much, Andrew. Keep up your great reviews, it's a pleasure to read them. You are pointing out important facts, your hands-on experiences; I've especially learned a hell lot from your GX80 review, that was phenomenally revealing.
  12. Yea, the A5100 has its limitations, definitely: I use it with an Atomos Ninja2: no overheating, no 30 minute recording limit, it has microphone jack and headset jack. The 1080 image quality (no 60p, unfortunately) is excellent with this combo. The A5100 has brilliant accurate/snappy/shimmer-free a touch to focus function because of the 179 PDAF points at least as great as the 70D/80D dual pixel. It's not 4K, but excellent HD combo. I use a Swivi LCD viewfinder with the A5100, not tiltable, though. I wouldn't say my A5100+Atomos combo is better than XC10; but, the XC10 is better only daylight a
  13. The 128G Transcend CFast card is $300 at B&H or €200 at Amazon.DE What XLR module/adapter can you get for $40? Actually, I wanted (still I haven't given up completely) to buy a Canon video camera, and I love a number of XC10 functions tremendously: 4K, excellent image stabilization, touch screen, joystick (sic!), tilting LCD viewfinder (!). But eventually it was the 1" sensor for $2000 which prevented my purchase. I am so sorry, I was so disappointed; another year I have to live without a Canon video camera, another year I have to stay with my Sony A5100, since I see no really better
  14. I stand corrected, apologies for the false information. Honestly, I don't regard the missing XLR module a big negative, but it is a fact that the $2000 XC10 Canon professional videocamera has no direct XLR support. I use a Tascam DR-60DmkII ($200) and a Zoom H5 anyway, so I am quite OK with the fact that the XC10 has only a mic jack and no XLR. Nevertheless, you cannot ignore the fact that the XC10 has only a 1" sensor, which is really below today's expectations for low-light applications; today, when ((much) more) affordable solutions exist that are great for daylight and low-light situa
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