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Leepatterson

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  1. you will need to check that your record settings (Dynamic Range) are set to 'Film' CinemaDNG RAW. I usually set the viewfinder to 'film' too Keep ISO to the native 800 (experience tells me it is pointless doing anything else in reality)
  2. I still love the pocket. I was lying on the cold sand on Friday evening taking (what turned out to be awesome) DNG RAW 30fps footage of the sea. Got it home and was dumbstruck yet again on what I was seeing. Shooting at 30fps and decent optical flow re-timing the frames are rock solid even taken down to 10% of original speed. It is a quality (I suspect historically significant) camera. The only change I would look for would be support for the higher data rates of the type II cards. It feels like a very loved child at this point and nothing on the market is more compelling IMHO
  3. BMPCC SLRM 1.33 anamorphot/SLRM 35mm
  4. working with BM RAW then stick with Resolve-worth putting the time into learning it
  5. whoops didn't mean to quote twice, sorry I paused at 2.01 as the cutlery revealed - albeit very briefly - the quite controlled and beautiful flare characteristics of these lenses. I liked it. It didn't scream for attention but added value for sure
  6. hi andy, i use their own f1.4 35 and more recently I have used it with my sigma 18-35 and that's quite lovely too (I have BMPCC and metabones speedbooster)
  7. I'm selling my focusone from edlekrone if that would fit your bill. pm me:)
  8. Thanks Hugo, appreciate the time and the energy you took. I agree with Rich, some comments were pretty harsh. Don't see why sharing is rewarded with flak; it only serves to push people away and thins the community. As to the footage (well shot and yes, controlled but fits the style of the piece). Would like to see some rapid focus pulling on the lenses (as well as speed shifts in the edit). I own their Anamorphot and the nature of that beast is that it needs a tape measure involved to hit the marks. Thanks again
  9. selling my FocusOne, open to any reasonable offer (buyer pays postage too), I'm based in the UK
  10. This blew me away, it is everything that a cinematic short should be https://vimeo.com/120774377
  11. short I did last year with BMPCC/SLRM Anamorphot
  12. Hey ADC:) you're correct, scope sizes for DCP are 2.39:1 (2048x858 or 4096x1716) I love my 1.33 'phot;)
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